CD 20th Century Masters - The Millennium Collection: The Best of Buddy Guy (CD 139721),
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20th Century Masters - The Millennium Collection: The Best of Buddy Guy


  • 1. First Time I Met the Blues
    2. Let Me Love You Baby
    3. Stone Crazy
    4. Pretty Baby
    5. When My Left Eye Jumps
    6. Leave My Girl Alone
    7. She Suits Me to a T
    8. Keep It to Myself
    9. My Time After Awhile
    10. Too Many Ways - (alternate take)
    11. Talkin' 'Bout Women Obviously
    Read More...
  • Additional Info
    Manufacturer Part Number (MPN): 112736

  • Credits
    ProducerAndy McKaie; Andy McKaie (Compilation)
    Engineer

    Personnel includes: Buddy Guy (vocals, guitar); Junior Wells (vocals, harmonica); Matt Murphy, Left Bates (guitar); Jarrett Gibson, Bob Neely (tenor saxophone); Donald Hankins (baritone saxophone); Leonard Caston (piano, organ); Little Brother Montgomery, Otis Spann (piano); Lafayette Leake (organ); Jack Meyers, Leroy Stewart, Phil Upchurch, Reggie Boyd (bass); Fred Below, Phil Thomas, Charles Stepney, Clifton James (drums).
    Recorded between 1960 and 1970. Includes liner notes by Bill Dahl.
    Digitally remastered by Erick Labson (Universal Mastering-West, Hollywood, California)..
    Personnel: Lefty Bates (guitar); Junior Wells (harmonica); Jarrett Gibson, Bob Neely, A.C. Reed, Milton Bland (tenor saxophone); Donald Hankins (baritone saxophone); Little Brother Montgomery, Otis Spann (piano); Lafayette Leake, Leonard Caston (organ); Fred Below, Phil Thomas, Charles Stepney (drums).
    Liner Note Authors: Joseph Sia; Lee Tanner; Bill Dahl.
    20th Century Masters - The Millennium Collection: The Best of Buddy Guy collects the highlights of his work for Chess during the '60s, including "First Time I Met the Blues," "Let Me Love You Baby," and "She Suits Me to a Tee." Tracks like "When My Left Eye Jumps," "Stone Crazy," and "Leave My Girl Alone" also display the blazing, passionate style that quickly made Guy a force to be reckoned with in the blues world. Though this compilation clearly isn't meant to be a comprehensive look at his work, many would argue that it focuses on one of the highest points in his career, which makes it a good introduction to his music from that era. ~ Heather Phares

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