CD Blues Guitar Killers [Various Artists] [CD] [1 disc] (CD 1082159),
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Blues Guitar Killers [Various Artists] [CD] [1 disc]


  • 1. Spider in My Stew - Magic Slim
    2. 2 X 9 - Eddy Clearwater
    3. What Can a Poor Man Do - Lurrie Bell
    4. Lookin' Good - Johnny B. Moore
    5. Foot Loose & Fancy Free - Vance Kelly
    6. Worried About My Baby - Eddie Taylor Jr.
    7. Stormy Monday Blues - Freddie King
    8. Chicago Bound - Jimmy Rogers
    9. Smile in Your Face - John Primer
    10. Mustang Sally - Michael Coleman
    11. I Can't Quit You Baby - Otis Rush
    12. What Have I Done - Phil Guy
    13. I've Been Gone - Hubert Sumlin
    14. Crossroads - U.P. Wilson
    Read More...
  • Additional Info
    Manufacturer Part Number (MPN): 120104

  • Credits
    Producer
    Engineer

    Personnel: Eddy Clearwater, Eddie Taylor Jr., Freddie King, Jimmy Rogers , John Primer, Johnny B. Moore, Lurrie Bell, Magic Slim, Otis Rush, Phil Guy, U.P. Wilson (vocals, guitar); Jimmy Johnson , Willie J. Davis, Michael Coleman , Floyd Bonner, Tutu Jones (guitar); Billy Branch (harp); Walter Horton (harmonica); Abb Locke, Red Holloway (saxophone); Lewis Stephens, Kenny Barker, Lafayette Leake, Allen Batts (piano); Alvin Hemphill (organ); Jerry Porter, Calep Emphrey, Jody Young, Donald Coleman, Tyrone Starks, Al Duncan , Mike Kennedy , Ray Allison, Casey Jones (drums).
    Recording information: Chicago, IL (??/??/1956-05/18/2000); Dallas, TX (??/??/1956-05/18/2000); Evanston, IL (??/??/1956-05/18/2000); France (??/??/1956-05/18/2000); Vienna, Austria (??/??/1956-05/18/2000).
    This set from Austria's Wolf Records brings together several old veterans of Chicago blues guitar with some of the younger Windy City guitar slingers to make an intriguing sampler of the city's various blues styles. What is immediately clear is how urgent and immediate older players like Otis Rush (his 1956 version of the brilliantly mordant "I Can't Quit You Baby" is here), Freddie King ("Stormy Monday Blues" from 1974), and Hubert Sumlin (a gritty acoustic take on "I've Been Gone") sound, while the younger players like Vance Kelly, Michael Coleman, and Eddie Taylor, Jr. -- for all their obvious talent -- seem to be doing flashy rehashes of what the older generation already produced some 40 years ago. This isn't necessarily a bad thing, since it preserves the classic feel of electric Chicago blues, but it is a little worrisome, since even a slow-to-change genre like the blues still needs to put on some fresh new clothes every once in a while. ~ Steve Leggett

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