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Live at Ann Arbor & In Chicago

Magic Sam
1 disc

1. Every Night About This Time
2. Don't Believe You'd Let Me Down
3. Mole's Blues
4. I Just Got to Know
5. Tore Down
6. You Were Wrong
7. Backstroke
8. Come on in This House
9. Riding High
10. San-Ho-Say
11. I Need You So Bad
12. Strange Things Happening
13. I Feel So Good (I Wanna Boogie)
14. All Your Love
15. Sweet Home Chicago
16. Looking Good
17. Looking Good (Encore)
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Additional Info

Manufacturer Part Number (MPN): DD-645/646
Credits

Producer Steve Tomashefsky
Engineer Peter K. Kroehler; John R. Fishl; Austin Iglehart; Jim Fishel
Personnel: Magic Sam (vocals, guitar); Eddie Shaw (vocals, tenor saxophone); Mack Thompson (vocals); A.C. Reed (tenor saxophone); Tyrone Carter (electric piano); Bob Richey, Robert "Huckleberry Hound" Wright , Sam Lay (drums).
Liner Note Authors: Dick Shurman; Peter K. Kroehler; John R. Fishl.
Recording information: Alex Club, Chicago, IL (10/1963-08/1969); Ann Arbor Blues & Jazz Festival, Ann Arbor, MI (10/1963-08/1969).
Photographers: Tom Copi; Greg Roberts.
While the sound quality leaves something to be desired, fans of electric Chicago blues should hear Magic Sam live. Recorded at two separate locations, the Alex Club in Chicago in 1963 and 1964 and the Ann Arbor Blues and Jazz Festival in 1969, this disc captures the raw energy not only of the musicians, but the crowds' tremendous response to them. Sam is in his natural environment at the Alex Club with an interchanging quintet, including electric pianist Tyrone Carter and tenor saxophonists Eddie Shaw and A.C. Reed, playing in front of a rowdy audience, ready to party. The Ann Arbor performance, on the other hand, finds him playing with a stripped down trio at an outdoor festival to a mainly white hippie crowd; performer and audience are somewhat unfamiliar with each other. This doesn't stop Sam's trio from blazing through their set and once again igniting the crowd. It should be noted that the energy level of the audience and band was exceptionally tense after Sam arrived late to the festival site without a drummer. Sam Lay was called upon at the last minute to fill the drum seat, as Charlie Musselwhite's band filled in for them while they set up. Ignore the rotten sound quality, this is raw blues power and provides a priceless document of Sam Maghett's vital showmanship. ~ Al Campbell