CD Old Fashioned Love [John Fahey] (CD 195585),
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Old Fashioned Love [John Fahey]
1. In a Persian Market
2. Jaya Shiva Shankara
4. Assassination of Stephan Grossman, The
5. Old Fashioned Love
6. Boodle Am Shake
7. Keep Your Lamps Trimmed and Burning
8. Dry Bones in the Valley (I Saw the Light Come Shining 'Round and ...)
Manufacturer Part Number (MPN): 6511
Doug Decker; John Fahey
Personnel: John Fahey (guitar); Bobby Bruce (vocals, violin); Jack Feierman (vocals, trumpet, jug); Allan Reuss (guitar, banjo); Woodrow Mann (guitar);
John Rotella (alto saxophone); Joe Darensbourg (clarinet); Ira Westley (tuba); Dicky Cary (piano); Nick Fatool (drums).
Recorded at Blue Rock Studio, New York, New York and United/Western Recorders, Hollywood, California. Originally released on Takoma Records. Includes liner notes by Samuel Charters.
Personnel: John Fahey (guitar); Bobby Bruce (vocals, violin); Jack Feierman (vocals, trumpet); Allan Reuss (guitar, banjo); Woody Mann (guitar); Joe Darensbourg (clarinet); John Rotella (saxophone, alto saxophone); Britt Woodman (trombone); Ira Westley (tuba); Dick Cary (piano); Nick Fatool (drums).
Audio Mixer: Doug Decker.
Audio Remasterer: Joe Tarantino.
Liner Note Author: Samuel Charters.
Recording information: Blue Rock Studio, New York, NY (1975); United (1975); Western Recorders, Hollywood, CA (1975).
Photographers: John Ayres; Josephine Ayres.
Arrangers: Jack Feierman; John Fahey.
If anyone doubts the degree to which John Fahey was stereotyped as a folk guitarist, the reception of this album should be instructive. Old Fashioned Love is a wonderful release, a celebration of early 20th century musical styles. Every track is played with charm and wit, from the solo guitar pieces to the full orchestral works. Indeed, on the first half of the CD we hear not just John Fahey the guitarist, but also John Fahey the arranger and orchestra leader. The delicate guitar solos on the classical "In a Persian Market" are framed by lively ensemble work by Fahey's ten-person "orchestra," a group which proves adept at ragtime and blues styles. This was Fahey's second album with this band, and the chemistry is obvious -- he later remarked that this was the most sympathetic and understanding group of musicians he had ever worked with. Nevertheless, this is not a complete break with the solo guitar albums, as the last three cuts on the album are 100% pure Fahey. They are, however, not folkie pieces. Two are firmly in the old-time style, and one is a guitar transcription of a Hindu chant. All three are fine, delicately contemplative works that equal anything he was doing in the previous decade. Alas, most of the people who bought John Fahey albums wanted pretty folk guitar tracks, and they weren't interested in anything else regardless of how excellent it sounded. Old Fashioned Love was acclaimed by many critics but was rejected by the folk crowd that Fahey himself was coming to detest. ~ Richard Foss
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