CD Judge Jerrod & the Hung Jury (CD 6956271),
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Judge Jerrod & the Hung Jury

  • 1. Intro
    2. They Should Have Named You Cocaine
    3. Lover, Lover
    4. Phone Call at 3 A.M.
    5. Down in Mexico
    6. What Do You Want
    7. Friendly Request, A
    8. Buckin' Song, The
    9. Old School New Again
    10. Intermission
    11. Come Back to Me
    12. Drunken Complaint
    13. How Can I Be so Thirsty
    14. Bakersfield
    15. Concerned Fan, A
    16. One More Drinkin' Song
    17. I Hope You Get What You Deserve
    18. Deep Thoughts
    19. For Everclear
    20. Outro
  • Additional Info
    Manufacturer Part Number (MPN): 65720

  • Credits
    ProducerDave Brainard; Jerrod Niemann

    Personnel: Jerrod Niemann (vocals, acoustic guitar, Wurlitzer organ, percussion, programming, background vocals); Dave Brainard (acoustic guitar, electric guitar, 12-string guitar, ukulele, keyboards, percussion, programming, background vocals); Steve McQueary (acoustic guitar, electric guitar); Tim Teague (electric guitar); Larissa Maestro (cello); Will Doughty (piano, Hammond b-3 organ, keyboards); David Mahurin (drums); Michael Tucker (djembe, percussion); Cliff Canterbury (background vocals).
    Audio Mixers: Dave Brainard; Brian Kolb; Jerrod Niemann.
    Liner Note Author: Judy Forde-Blair.
    Recording information: Mix Dream Studios, Nashville, TN; Omni Studio, Nashville, TN.
    Editor: Dave Brainard.
    Photographer: Jeremy Coward.
    Jerrod Niemann made his first inroads into the Music City as a professional songwriter, penning songs recorded by Garth Brooks, Neal McCoy, and Blake Shelton, and there's a certain sense of sharp, smooth professionalism on his 2010 major-label debut Judge Jerrod & the Hung Jury, a sense that he casually demonstrates how he can please any audience that comes his way. He's anchored in the breezy, beachside frat-country that's been in vogue ever since Kenny Chesney's Jimmy Buffett tribute took the world by storm at the turn of the millennium, but he also dabbles in slick ballads, relaxed country-funk, and chicken-pickin' country, taking pains to illustrate his versatility. Because Niemann has the chops and friendly voice to pull it off, this casual showboating wears well, and the record is one of the best mainstream country-pop records of 2010: tuneful, hooky, friendly, funny, and bright, the kind of album made for long, hot, boozy afternoons. ~ Stephen Thomas Erlewine

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