CD Latitude [Matt Flinner] (CD 994329),
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Latitude [Matt Flinner]

  • 1. Latitude
    2. Narrows, The
    3. New Cimarron
    4. Sam I Am
    5. Altitude
    6. Rock Paper Scissors
    7. Miasma
    8. Goodbye Victor
    9. Rayburn Avenue
    10. New Leaf, A
    11. 33
  • Additional Info
    Manufacturer Part Number (MPN): 4301

  • Credits
    ProducerTodd Phillips
    EngineerTodd Phillips; Brent Truitt

    Personnel includes: Matt Flinner (mandolin); David Grier (guitar); Jerry Douglas (dobro); Darol Anger, Stuart Duncan (fiddle); Todd Phillips (bass).
    Recorded at Monkey Finger Studios, Nashville, Tennessee between May and June 2000 and The Dining Room Studios, Glendale, California on July 12, 2000.
    Personnel: Matt Flinner (mandolin); David Grier (guitar); Jerry Douglas (dobro); Darol Anger, Stuart Duncan (fiddle).
    Audio Mixer: Todd Phillips.
    Recording information: Monkey Finger Studio, Nashville, TN (05/??/2000-07/12/2000); The dining Room, Willow Glen, CA (05/??/2000-07/12/2000).
    Mandolinist Matt Flinner is one the most exciting jazz-grass players on today's scene. Although influenced by pioneers like David Grisman, he has developed his own approach to acoustic jazz. His new album Latitude uses 1999's Phillips, Grier & Flinner as its launching point, bringing guitarist David Grier and bassist Todd Phillips along for the ride. In fact, "Rock Paper Scissors" and "33" find them once again performing as a trio. The remainder of the album has been supplemented by guests including fiddle players Darol Anger and Stuart Duncan, and dobroist Jerry Douglas. These jazzy originals walk the line between the swing jazz of early Grisman and the spacier experiments of Mike Marshall, leaving the listener with a relaxed acoustic sound, grounded in tradition. The fiddle work throughout the album is excellent, adding another distinct voice and filling out the sound. Darol Anger only plays on two cuts -- "Sam I Am" and "Rayburn Avenue" -- but stamps both with his matchless style. Duncan plays on five cuts, bringing a more traditional approach that melds perfectly with the other players. Even when the basic lineup is augmented with a fiddle and Douglas' dobro -- "Latitude" and "Rayburn Avenue" -- the sound remains spacious. Grier's guitar work throughout Latitude, whether playing lead or as merely support, is excellent. He never overplays, and builds his solos in satisfying though unsuspecting ways. While Flinner is certainly the leader here, he generously shares space with the other players. His mandolin work ranges from traditionally based in "Latitude" to the more poetic nuances of "Goodbye Victor." Latitude is a great addition to Flinner's catalog, and will be appreciated by his fans as well as lovers of good acoustic jazz. It shouldn't be missed. ~ Ronnie D. Lankford, Jr.

  • Critic Reviews
    Down Beat (8/01, p.72) - 4 stars out of 5 - "...Experiments with shifting tempos, diminishing chords and open-ended harmonies to conjure entrancing string band music..."
    Dirty Linen (4-5/01, p.78) - "...Nice, relaxed listening for a Sunday interesting mix of ideas from the funky to the free-ranging..."
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