CD The Dollar (CD 1072876),
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The Dollar


  • 1. Dollar, The
    2. Flying Silver Eagle
    3. She's All Lady
    4. Ray Ray's Juke Joint
    5. My Saving Grace
    6. Redneck Side of Me
    7. Keeping Up with the Jonesin'
    8. Rebelicious
    9. Back to Caroline
    10. It Was Me
    11. Lead Me Home
    Read More...
  • Additional Info
    Manufacturer Part Number (MPN): 72690

  • Credits
    ProducerBuddy Cannon; Buddy Cannon
    EngineerChris Rowe; Steve Marcantonio; T.W. Cargile; Tony Castle; Billy Sherrill; Butch Carr

    Personnel: Jamey Johnson (vocals); George Jones (vocals); Wayd Battle, Pat Buchanan (electric guitar); Steve Hinson (steel guitar); David Talbot (banjo); Rob Hajacos (fiddle); Kirk "Jelly Roll" Johnson (harmonica); Jim "Moose" Brown (piano, organ, Wurlitzer organ); Randy McCormick (piano, Wurlitzer organ, keyboards); Gary Prim (piano); Kevin Grantt (bass guitar); Cindy Walker, D. Bergen White, Trenna Barnes, Duane Hamilton, Jon Mark Ivey, Lisa Cochran, Lisa Silver, Marabeth Jordon, Melodie Crittenden, Liana Manis, Melonie Cannon, Louis Dean Nunley, Wyatt Beard (background vocals); John Willis (acoustic guitar, banjo); J.T. Corenflos (electric guitar); Dan Dugmore (steel guitar, dobro); Chad Cromwell (drums); Tom Roady (percussion).
    Audio Mixer: T.W. Cargile.
    Recording information: County Q Productions; Emerald Sound Studios; Loveshack Studios; Masterfonics Studios; Sounds Stage Studios; The Sound Kitchen, Nashville, TN; WEstwood Sound Studios.
    Photographer: Russ Harrington.
    Despite a handsome mug and a beefy build, Nashville newcomer Jamey Johnson proves that he's more than just a "hat act" on his 2006 debut, THE DOLLAR. Johnson's neo-traditionalist bent fares well on these 11 tracks, most of which he wrote himself, or co-wrote. While the lyrical themes--work, love, faith, and partying--will not surprise listeners of contemporary country, the freshness of Johnson's songwriting and the appeal of his ragged baritone may. THE DOLLAR balances between emotionally charged ballads and honky-tonk rockers, and Johnson delivers the goods in both styles, making this a solid first outing worth hearing.

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