CD The Very Best of Sue Thompson (CD 145276),
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The Very Best of Sue Thompson


  • 1. Norman
    2. My Hero
    3. Sad Movies (Make Me Cry)
    4. Angel, Angel
    5. If the Boy Only Knew
    6. James (Hold the Ladder Steady)
    7. Have a Good Time
    8. Two of a Kind
    9. Bad Boy
    10. Paper Tiger
    11. Language of Love
    12. Two of Us Together, The
    13. I Think They Call It Love
    14. Big Mable Murphy
    15. Good Old Fashioned Country Love
    16. Oh How Love Changes
    Read More...
  • Additional Info
    Manufacturer Part Number (MPN): 066483

  • Credits
    Producer
    Engineer

    Producer: Wesley Rose.
    Compilation producers: Cary E. Mansfield, Steve Massie.
    Includes liner notes by Bill Dahl.
    Personnel: Sue Thompson (vocals); Don Gibson (vocals); Grady Martin (guitar); Boots Randolph (saxophone); Floyd Cramer (piano); Buddy Harman (drums); The Anita Kerr Singers (background vocals).
    Liner Note Author: Bill Dahl.
    Sue Thompson had two distinct phases in her career: the first as a teen pop vocalist, singing light, cutesy tunes (often written by John D. Loudermilk) perfect for a prom, the second as a lush country crooner, singing songs for housewives. Since Thompson had a thin, light voice, it was perfectly suited for the pop material, but tended to cut against the burnished countrypolitan productions, which is why her duets with Don Gibson work so well -- she provides a good counterpoint to his rich, warm voice. It can't quite be said that the teen pop and country-pop material function as good counterpoints to each other on Varese's 2003 collection The Very Best of Sue Thompson, however. They have very different tones and they're not complimentary. Nevertheless, this approach does mean that it has nearly all of Thompson's hits from throughout her career -- the few that are missing scraped the bottom of the charts -- and therefore provides a thorough retrospective (the only collection to come close to The Very Best of Sue Thompson is Collectables' 1995 release Golden Classics, which contained two more songs, but wasn't as well-produced and nicely assembled as this). But country fans take note: Although the back cover touts that all songs were produced by Wesley Rose, a good 11 songs are all trifling, lightweight pop and the five country tunes are pleasantly generic, mainstream, early-'70s country. Finally, it has to be said that a little of Thompson's light, nasal voice goes a long, long way, particularly when it's squeaking out silly, cutesy, contrived teen novelties. That's where Thompson's biggest hits lie, and that's what fuels this compilation, and though they're interesting as period pieces or nostalgia trips, they're hard to listen to all in a row. ~ Stephen Thomas Erlewine

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