CD Who I Am [Jessica Andrews] (CD 836844),
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Who I Am [Jessica Andrews]


  • 1. Now I Know
    2. Every Time
    3. I Don't Like Anyone
    4. Karma
    5. Helplessly, Hopelessly, Recklessly
    6. Who I Am
    7. These Wings
    8. Never Had It So Good
    9. Make Me Love You
    10. Wishing Well
    11. Good Friend to Me
    12. Show Me Heaven
    Read More...
  • Additional Info
    Manufacturer Part Number (MPN): 450248

  • Credits
    ProducerByron Gallimore
    EngineerJulian King

    This is an Enhanced audio CD which contains regular audio tracks and multimedia computer files.
    Personnel: Jessica Andrews (vocals); Biff Watson (acoustic guitar); Brent Mason, B. James Lowry, Michael Landau, Jerry McPherson (electric guitar); Paul Franklin (steel guitar, dobro); Aubrey Haynie (mandolin, fiddle); Steve Nathan (piano, organ); Glenn Worf, Mike Brignardello (bass); Lonnie Wilson (drums); Gene Miller, Kim Parent, Chris Rodriguez, Bekka Bramlett (background vocals).
    Personnel: Jessica Andrews (vocals); Biff Watson (acoustic guitar); Jerry McPherson, Michael Landau, B. James Lowry, Brent Mason (electric guitar); Paul Franklin (steel guitar, dobro); Aubrey Haynie (mandolin, fiddle); Steve Nathan (piano, organ); Lonnie Wilson (drums); Chris Rodriguez, Gene Miller, Kim Parent, Bekka Bramlett (background vocals).
    Audio Mixers: Greg Burns ; Jeff Burns; Mike Shipley.
    Recording information: Oceanway Studios.
    Photographer: Jon Ragel.
    In case you've been wondering what ever happened to New Wave one-hit wonder Martin "The Salt in My Tears" Briley, here's an album that answers the question. He's alive and well in Nashville and writing songs ("I Don't Like Anyone") for 17-year old Jessica Andrews, country music's overdue answer to Britney Spears.
    Actually, Andrews' sophomore album is only nominally country. The occasional twang in the vocals (which are wise beyond the singer's tender years) or mandolin lick notwithstanding, WHO I AM is distinguishable from Spears-style pop only by the lack of a certain level of lyrical double entendre sexual innuendo. Good clean fun, in other words, and first rate commercial radio fare--the kind of music that gives bubblegum a good name.

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