CD Breakfast Club: Milan (CD 141949),
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Breakfast Club: Milan
1. Breakfast Club di Milano - Giacomo Bondi
2. Summer - Moby
3. Making Plans for Nigel - Nouvelle Vague
4. Seventh Space - Peter Daou
5. Flowers Become Screens - Delerium (Return Mix)
6. Until the Morning - Emiliana Torrini/Thievery Corporation - (featuring Emiliana Torrini)
7. Moonsmith - Cantoma
8. Rama Lama Lama - Paul Derrick (Bossa Mix)
9. Marcello - Solu Music
10. Ice Breaker - Chris Brann
11. Riata - Telepath
12. Uno - Ohmu Guru
13. Sweet Suffering - Asheni (DJ Sin Plomo Ambient Mix)
14. Gitman - Lucky Loop
15. This Way - Lemongrass
16. Isle of Capri - Morris Capri
Manufacturer Part Number (MPN): 060636
Chris Brann; Jrn Erkau; Eric Hilton; Michael Christie; Dano Nathanson; Robin Twelftree; Greg Reely; Paolo d'Errico; Howie Caspe; Moby; Ohm Guru; Peter Daou; Phil Mison; Rob Garza; Roland Voss; Torsten Stenzel; Giacomo Bondi
Personnel: Kristy Thirsk (vocals); Steve H. (trumpet); Robin Twelftree (keyboards); Jeff Scantlebury (percussion).
Audio Remixer: Greg Reely.
Photographer: Alex Solca.
Arrangers: Chris Brann; Peter Daou.
While it would be nearly impossible to find out if every song on Breakfast Club: Milan was actually played in cafs and nightclubs around the city like the label insists, anyone who's ever spent time in the fashion capital of the world knows that at least they're not far off the mark. A collection of music for somewhere between late night and early morning, the songs on Breakfast Club: Milan would all fit comfortably in any Italian lounge, impeccably dressed and sipping martinis while calmly sharing a cigarette. There are a few songs that conjure up particularly vivid images, like Moby's "Summer," the perfect description of sitting outside a coffee shop and drinking a cappuccino, watching Vespas and high leather boots on their daily commute to work, or Peter Daou's "Seventh Space," which uses both a drum machine and keyboard chords for its beats and could easily be played in a discotheque after hours. It's chillout music, with a focus on ambience and instrumentals (there are a few exceptions, Nouvelle Vague's cover of XTC's "Making Plans for Nigel," for example, or the bossa nova-meets-Tom Jones "Rama Lama Lama," by Paul Derrick, more bizarre than anything else), which means that the album can get repetitive and artificial with many of the songs starting to sound the same, their Latin- or Afro-inspired rhythms and smooth jazz key solos all blending into one very relaxed song, but if used simply as background music while you have an aperitivo and put on your Gucci sunglasses, well, Breakfast Club: Milan just might be the perfect record. ~ Marisa Brown
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Dance & Electronic
Water Music Records 060636
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