CD Rice (CD 870161),
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Rice


  • 1. Blow the Winds/The Game of Draughts
    2. Snow It Melts the Soonest, The
    3. Picking up Sticks/The Old Mole/Felton Lonnin/Kingston Girls
    4. Miller and the Lass
    5. Herring Song
    6. Mons Meg
    7. Tuesday Morning
    8. Haddock and Chips
    9. Americans Have Stolen My True Love Away, The
    10. Zycanthos Jig/Tommy's Foot/Quebecois
    11. Sweetness of Mary/Holywell Hornpipe/Swedish, The
    12. Benjamin Bowmaneer
    13. Commodore Moore/The Black Dance/A Andy O
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  • Additional Info
    Manufacturer Part Number (MPN): 494

  • Credits
    ProducerEliza Carthy
    EngineerOliver Knight

    Rice, originally the acoustic half of the award winning double CD Red Rice.
    Personnel: Eliza Carthy (vocals, fiddle, viola, piano, djembe); Saul Rose (vocals, accordion, melodeon); Eddie Boyd (acoustic guitar, bouzouki).
    Recording information: Panda Sound, Robin Hood's Bay, North Yorkshire.
    Photographer: Tom Howard.
    Arrangers: Eddie Boyd; Eliza Carthy; Saul Rose.
    While not a traditional folk album in a strictly purist sense, Rice (originally released in 1998 as half of the two-disc set Red Rice and reissued on its own in 2001) is much more in the vein of, say, early June Tabor or Carthy's mother, the redoubtable Norma Waterson, than the eclectic pop of its twin album, Red. With the exception of a couple of fiddle tunes, most notably the tricky "Haddock and Chips," that are Carthy originals, all of the tracks are traditional English folk songs. Not all of them are given strictly traditional settings, as the hazy overdubbed self-harmonies at the end of the lovely "The Snow It Melts the Soonest" attest, but the arrangements, using the same musicians as on Red, are entirely acoustic. The song selection is excellent, from the humorous "Herring Song" to the trio of dance tunes that closes the album, featuring Carthy's fiddle accompanied by melodeon, guitar, and the amplified clog-dancing of harmony singer Lucy Adams. A richly satisfying collection, Rice seems to be intended to show what Eliza Carthy was capable of in a traditional folk vein before she left folk music almost entirely with her next album, 2000's art rocky Angels & Cigarettes. ~ Stewart Mason

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