CD Ali Farka Tour & Toumani Diabat [Slipcase] * (CD 6284215),
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Ali Farka Tour & Toumani Diabat [Slipcase] *


  • 1. Ruby
    2. Sabu Yerkoy
    3. Be Mankan
    4. Doudou
    5. Warb
    6. Samba Geladio
    7. Sina Mory
    8. 56
    9. Fantasy
    10. Machengoidi
    11. Kala Djula
    Read More...
  • Additional Info
    Manufacturer Part Number (MPN): 22937

  • Credits
    ProducerNick Gold
    EngineerJerry Boys

    Personnel: Ali Farka Tour (guitar); Toumani Diabat (kora).
    Audio Mixer: Jerry Boys.
    Liner Note Authors: Nick Gold ; Toumani Diabat.
    Editors: Tom Leader; Andy Morgan.
    Photographers: Youri Lenquette; Mattia Zoppellaro; Christina Jaspars.
    Due to the international success of In the Heart of the Moon, Mand lineage griot Toumani Diabat wanted to make a follow-up with fellow Malaian, the legendary guitarist Ali Farka Tour. The first record had been cut in Niafunke, Tour's home village in the north of Mali, Diabat contacted World Circuit's Nick Gold about doing the follow-up in London, where the pair was due to play a couple of concerts. Gold agreed and suggested they include Cuban bassist Orlando "Cachaito" Lopez on the session. There was some urgency: Tour was dying. The sessions were cut over four days in June of 2005; this is his last recording. The contents are made up of improvisations and new versions of old songs from both men's regions. Opener "Ruby" is a gorgeous improvisation, where Tour doesn't play the role of guitar slinger, but of a guitarist playing only for his own enjoyment, softly, gently, with his trance-like hypnotic rhythm, allowing Diabat to let his kora flow over the modal pattern. Cachaito makes the first of five appearances here. "Sabu Yerkoy" is a proper entrance. It is Tour's take on Cuban salsa (with his son on congas). The rhythmic interplay between drums, bass, and acoustic guitar is intricate and subtle with its gentle, seductive approach. "Doudou" is a completely new take on an old Mand song, weaving together a Senegalese mbalax rhythm and the kora's harmonic palette. Along the lines of the intricate melody, Tour layers one atop another from one of his own songs, with "Singya" on top. It's easily among the most beautiful thing here. Tour's rhythmic approach shines on "Samba Gerladio," another new version of a very old folk song. Tour introduces it and Diabat eventually encounters him on the chorus, weaving a new melody based on Tour's blues. "Sina Mory" is the very first song Tour learned to play on the guitar -- this may have been the last time he played it. "Kala Djula," a griot's hymn, closes the set as a celebratory song. Its rhythmic feel -- held down by Cachaito -- is cut-time, but the pace is graceful, easy, relaxed. Diabat's soloing is breathtaking, full of humor and warmth. Tour interjects his own slippery guitar pattern, creating a second-line melody. This self-titled album is a fitting tribute to Tour's and Diabat's genius and friendship, and is a beautiful farewell. ~ Thom Jurek

  • Critic Reviews
    Mojo (Publisher) (p.51) - Ranked #49 in Mojo's "The 50 Best Albums Of 2010" -- "[A] thing of exquisite shimmering beauty from start to finish."
    Uncut (magazine) - "'Be Mankan' is a stately, almost classical piece for kora, as is the more nimble 'Fantasy.' 'Doudou' is a trance-out on which the two sets of strings gallop together..."
    Uncut (magazine) (p.37) - Ranked #8 in Uncut's "The 50 Best Albums Of 2010" -- "[T]he sense remained of two intuitive virtuosos coming together, without ego."
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