CD Haitian Creole Jazz * (CD 1094486),
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Haitian Creole Jazz *


  • 1. Caravan
    2. Pen Mayi
    3. Sa Te Bel
    4. Mireille
    5. Sincerely Yours
    6. African Queen
    7. Journey, The
    8. Limy
    9. Fifa's Theme
    10. Second Nature
    11. Havana Sunrise
    12. Moving On
    Read More...
  • Additional Info
    Manufacturer Part Number (MPN): 200506

  • Credits
    ProducerMozayik; Mozayik
    EngineerKieran Pardias; Kieran Pardias

    Mozayik (Jazz): Gashford Guillaume (vocals, drums); Markus Schwartz (vocals, congas, bongos, percussion); Eddy Bourjolly (acoustic guitar, electric guitar); Welmyr Jean-Pierre (piano, keyboards); Gene Torres (acoustic bass guitar); Beethova Obas.
    Personnel: Beethova Obas (vocals, background vocals); Elie Lapointe, Sheila Williams (vocals); Annie Morel (violin); Diederik Suys (viola); Mathilde Sternat (cello); Sheena Rock (background vocals).
    Audio Mixer: Kieran Pardias.
    Recording information: Studio Aladin, Paris, France; Tiki Recording Studios, Long Island, NY.
    Arranger: Mozayik .
    It's always so inspiring when American-based musicians mine the riches of their exotic heritage, and this five-piece New York band offers a stirring invitation to explore the vast rhythmic riches of its Afro-Haitian roots. While listeners are enjoying what on the surface sounds like an appealing mix of classical, jazz, gospel, and funk influences, the 12 multifaceted tracks also aim to teach lessons about various traditional Haitian folkloric drum rhythms (all stunningly played by Markus Schwartz). The set is bookended with two tracks using the Rara rhythm, the joyous and frenetic "Caravan" (a showcase for the feisty interplay between guitarist Eddy Bourjolly and pianist Welmyr Jean-Pierre) and "Moving On," which floats an elegant melody atop speedy percussion patterns. Other irresistible native rhythms include Nago (the hypnotic "Sa te Bel"), Mayi ("Pen Mayi"), Ibo (the sassy Latin-flavored "Mirelle"), Kontradans (the moody, laid-back "African Queen," featuring singalong native vocal textures), Kongo ("Limye"), and Petwo (a very tropical "The Journey"). Schwartz's interesting liner notes add some context to the tunes, whose deep textures take a few run-throughs to fully appreciate. Those who are fascinated might be prompted to do more research into what makes jazz tick in Haiti. But for those just out for a nice listen, perhaps legendary jazz bassist Jimmy Haslip's take is quite enough: "beautiful music!" ~ Jonathan Widran

  • Critic Reviews
    JazzTimes (p.99) - "New York quintet Mozayik quickly and promisingly defines Haitian Creole jazz with its first cut....The guitar, bass and piano deliver a bop feel to this standard..."
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