CD Sacred Rhythms of Cuban Santeria (CD 600544),
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Sacred Rhythms of Cuban Santeria


  • 1. Eleggua - Conjunto De Tambores Bata De Amado Diaz Alfonso
    2. Eleggua - Conjunto De Tambores Bata De Amado Diaz Alfonso
    3. Inle - Conjunto De Tambores Bata De Amado Diaz Alfonso
    4. Oggun - Conjunto De Tambores Bata De Amado Diaz Alfonso
    5. Babaluaye - Conjunto De Tambores Bata De Amado Diaz Alfonso
    6. Osain - Conjunto De Tambores Bata De Amado Diaz Alfonso
    7. Agayu - Conjunto De Tambores Bata De Amado Diaz Alfonso
    8. Chango - Conjunto De Tambores Bata De Amado Diaz Alfonso
    9. Obatala - Conjunto De Tambores Bata De Amado Diaz Alfonso
    10. Yeggua - Conjunto De Tambores Bata De Amado Diaz Alfonso
    11. Obba - Conjunto De Tambores Bata De Amado Diaz Alfonso
    12. Oya - Conjunto De Tambores Bata De Amado Diaz Alfonso
    13. Ochun - Conjunto De Tambores Bata De Amado Diaz Alfonso
    14. Yemaya - Conjunto De Tambores Bata De Amado Diaz Alfonso
    15. Eleggua - Conjunto De Tambores Bata De Amado Diaz Alfonso
    16. Oru Para Chango - El Nino De Atocha
    17. Eleggua - Agrupacion Ara-Oko Bembe Ensemble
    18. Oggun / Ochosi / Agayu - Agrupacion Ara-Oko Bembe Ensemble
    19. Eleggua / Oggun / Ochosi / Inle - San Cristobal De Regla
    20. Babaluaye - San Cristobal De Regla
    21. Oricha Oco - San Cristobal De Regla
    22. Osain - San Cristobal De Regla
    23. Los Ibelli - San Cristobal De Regla
    24. Dada / Agayu / Chango / Obatala - San Cristobal De Regla
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  • Additional Info
    Manufacturer Part Number (MPN): 40419

  • Credits
    Producer
    EngineerRaul Diaz

    Producer: The Centro De Investigacion Y Desarollo De La Musica Cubana.
    Recorded in Matanzas and Havana City, Cuba between September 11, 1983 and Novermber 20, 1984. Includes liner notes by Dr. Olavo Alen Rodriguez.
    Since the fine Areito Afro-Cuban percussion LPs vanished, there's been a drought in this field, so this useful collection of Oru (liturgies) -- different from the Areito series -- is specially welcome. It opens with what is essentially a series of demonstration rhythms, but once percussion and vocals are integrated, things warm up in fairly lengthy invocations of Shango and of "all the saints." ~ John Storm Roberts, Original Music

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