CD Forecast [Eric Gale] (CD 4351679),
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Forecast [Eric Gale]
1. Killing Me Softly with His Song
4. White Moth
5. Tonsue Corte
Manufacturer Part Number (MPN): KICJ 2216
Creed Taylor; Susumu Morikawa (Reissue)
Personnel: Eric Gale (guitar, acoustic guitar, electric guitar); Elliot Rosoff, David Nadien, Gene Orloff, Irving Spice, Max Ellen, Harry Lookofsky, Joe Malin (violin); Alfred Brown , Emanuel Vardi (viola); Seymour Barab, George Ricci (cello); George Marge (flute, alto flute, bass flute); Hubert Laws (flute, piccolo); Joe Farrell (flute, tenor saxophone); Jerry Dodgion (alto saxophone, tenor saxophone); Pepper Adams (baritone saxophone); Jon Faddis, Marvin Stamm, Randy Brecker, Victor Paz, John Frosk (trumpet, flugelhorn); Tony Studd (trombone, baritone horn); Garnett Brown, Alan Raph (trombone); Bob James & Creations (piano, electric piano, organ, synthesizer, marimba); Bob James (electric piano, organ, synthesizer, bass marimba); Gordon Edwards , Bill Salter (electric bass); Idris Muhammad, Rick Marotta (drums); Artie Jenkins, Arthur Jenkins (congas, tambourine); Ralph MacDonald (percussion).
Liner Note Author: Arnaldo DeSouteiro.
Recording information: Van Gelder Studios, Englewood Cliffs, NJ (01/1973).
Director: Bob James.
Arranger: Bob James.
Eric Gale's 1973 Forecast album on the Kudu label is one of his most varied texturally. Produced by Kudu label boss Creed Taylor, the rhythm tracks were arranged by Gale, and the horns and strings by Bob James. Taylor surrounded Gale with the cream-of-the-crop of the current session players: jazz's most soulful drummer, Idris Muhammad, was in the house for most of the album, and Rick Marotta filled out the rest. Saxophonists included Joe Farrell, Pepper Adams, and Jerry Dodgion (an underrated ace who made his name with Curtis Amy on his Pacific jazz sides in the early '60s), and trumpeters included Randy Brecker and Jon Faddis. Hubert Laws and George Marge sat in the flute chairs, and James played piano and synths. Gale, for his part, was blended into a meticulously arranged and gorgeously orchestrated set of mixed tempo originals, and a pair of carefully chosen covers: "Killing Me Softly," by Charles Fox and Norman Gimbel, and Antonio Carlos Jobim's and Aloysio de Oliviera's deeply moving "Dindi." Gale's single string lines bite harder than some of the Brazilian counterparts, but because his blues inflection is so pronounced against the lush strings, keyboards, and horns, it works wonderfully. Gale's own grooved out "Cleopatra," and the otherworldly funk and blues feel of "White Moth," are just off-kilter enough to add a labyrinthine dimension to the album. Gale was a tear when he was on Kudu, and this album is the first example of his particular brand of street tough yet bedroom romantic soul-jazz for the label. ~ Thom Jurek
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King Records KICJ 2216
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