CD Remember: A Tribute to Wes Montgomery (CD 644989),
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Remember: A Tribute to Wes Montgomery

  • 1. Four on Six
    2. Groove Yard
    3. Full House
    4. Heartstrings
    5. Twisted Blues
    6. Road Song
    7. West Coast Blues
    8. S. K. J.
    9. If I Should Lose You
    10. Unit 7
  • Additional Info
    Manufacturer Part Number (MPN): 11226

  • Credits
    ProducerJoseph A. Donofrio; Pat Martino

    Personnel: Pat Martino (guitar); Dave Kikoski (piano); John Patitucci (bass instrument); Scott Allan Robinson (drums); Daniel Sadownick (percussion).
    Pat Martino and Wes Montgomery were two of the most famous guitarists to emerge out of the '60s jazz scene, an era that saw the guitar raised to the status of saxophones and trumpets. Martino and Montgomery's styles, however, were quite different, one rapid-fire post-bop, the other blues-based hard bop. This doesn't mean, however, that Martino wasn't -- like everyone else -- influenced by Montgomery. Martino's Remember: A Tribute to Wes Montgomery, then, isn't so much an album that seeks to mimic the style of another guitarist, but a loving tribute that reflects without copying Montgomery's style. Yes, Martino does pull gems from the Montgomery catalog like "Four on Six" and "West Coast Blues," and he even references his use of octaves more than once, but this is more reflective than stylistic. Martino is joined on this outing by pianist David Kikoski, bassist John Patitucci, and percussionists Scott Allan Robinson and Daniel Sadownick for solid takes on Montgomery's "Road Song," Carl Perkins' "Groove Yard," and Sam Jones' "Unit Seven." While it might be revealing to compare these and other sides to Montgomery's recordings, it's probably more fun for listeners to just allow these reinterpreted recordings to wash over them. For Martino and Montgomery fans, and for anyone who loves good guitar music, Remember is a well-conceived and executed album. ~ Ronnie D. Lankford, Jr.

  • Critic Reviews
    Down Beat (p.60) - 3.5 stars out of 5 -- "Martino holds onto the soft, downy quality of the Montgomery sound but resists over-imitations or caricatures of the guitarist's signature style."
    JazzTimes (pp.120-121) - "It's apparent straightaway that this wasn't an archeology project for Martino. He and his band recast these themes in thoroughly modern idiom..."
    Mojo (Publisher) (p.98) - 4 stars out of 5 -- "[H]eartfelt and thrilling, with a reassuringly woody, unglamorous sound and many joyous highlights."
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