CD Renaissance of the Resistance (CD 214851),
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Renaissance of the Resistance


  • 1. Sweet Meat
    2. Ornette
    3. Renaissance of the Resistance
    4. Trane in Mind
    5. Golden Sea
    6. Fatsmo
    7. Save Your Love for Me
    Read More...
  • Additional Info
    Manufacturer Part Number (MPN): 466

  • Credits
    ProducerSteve Wagner
    EngineerPaul Serrano

    Kahil El'Zabar's Ritual Trio: Kahil El'Zabar (percussion); Ari Brown (saxophone); Malachi Favor (bass).
    Personnel: Kahil El'Zabar (vocals, drums); Ari Brown (saxophone).
    Recording information: Riverside Studio, Chicago, IL (11/29/1993/11/30/1993).
    Photographer: Marc PoKempner.
    In 1993, drummer Kahil El'Zabar and his Chicago-based Ritual Trio (which also includes saxman Ari Brown and bassist Malachi Favors) joined the Delmark roster with Renaissance of the Resistance, an excellent inside/outside date that contains mostly original material. This CD underscores the fact that not all avant-garde jazz is atonal free jazz; on the whole, this is quite musical and melodic. That is true of the funky "Ornette" (as in Ornette Coleman), as well the evocative title song and the haunting "Sweet Meat." Meanwhile, "Trane in Mind" recalls John Coltrane's modal period of the early to mid-1960s -- it isn't the sort of hard bop that the saxman favored in the late 1950s, nor is it the sort of blistering, atonal free jazz that he got into during the last few years of his life. Unlike the bop snobs who are content to spend their lives hearing the same old standards done the same old way, El'Zabar has very eclectic tastes -- the Chicagoan has stated that his taste in music ranges from soul man Jackie Wilson to traditional Bulgarian choirs. And, true to form, he brings a healthy appreciation of world music to this album, combining jazz with African, Middle Eastern, and Asian influences. In fact, the title song and the peaceful "Golden Sea" find El'Zabar stretching out on the African thumb piano -- and why not? There is no law stating that a traditional African instrument cannot be used as a jazz instrument. Although 1999's Africa N'da Blues is arguably the best album that the Ritual Trio provided in the 1990s, Renaissance of the Resistance runs a close second. ~ Alex Henderson

  • Critic Reviews
    Down Beat (11/94, pp.52-53) - 4 Stars - Very Good - "...a crafty outsider's spin on material that's almost subversively conventional....redefines the mainstream with wry turns, sly nods, and subtle winks, and its nostalgia extends from Africa to the avant garde....informed rather than consumed by the past..."
    JazzTimes (11/94, pp.90-91) - "...This band is so spartan it could play the streets and so universal it could play a SOUK, bazaar, harim, Turkish bath or international jazz festival. Highly recommended..."
    Option (11-12/94, p.113) - "...A jazz CD that manages to be at once modern and in the tradition....The moods range from African to rhythm & blues to searing Coltrane-style jazz....Simple and direct, this is a set of "new music" anyone can get into."
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