CD The Resurgence of Dexter Gordon  (CD 194664),
Movie Mars Home Page
Welcome to MovieMars.com!
back to browsing
The Resurgence of Dexter Gordon 
1. Home Run
3. Lovely Lisa
4. Affair in Havana
6. Field Day
Manufacturer Part Number (MPN): 929
Personnel: Dexter Gordon (tenor saxophone); Martin Banks (trumpet); Richard Boone (trombone); Dolo Coker (piano); Charles Green (bass); Lawrence Marable (drums).
Recorded at United Recorded Studios, Los Angeles, California on October 13, 1960. Includes liner notes by Chris Albertson.
Digitally remastered by Phil De Lancie (1997, Fantasy Studios, Berkeley, California).
Personnel: Dexter Gordon (saxophone, tenor saxophone); Ren Thomas (guitar); Johnny Griffin (tenor saxophone); Martin Banks (trumpet); Richard Boone (trombone); Dolo Coker, Charles Coker, Junior Mance (piano); Larance Marable (drums).
Audio Remasterer: Phil DeLancie.
Liner Note Author: Chris Albertson.
Recording information: Los Angeles, CA (10/13/1960); United Recording Studios, L.A., CA (10/13/1960).
Photographers: Barry Feinstein; William Claxton.
Unknown Contributor Roles: Larance Marable; Charlie Rouse.
As the title The Resurgence of Dexter Gordon (1960) suggests, the tenor sax master resurfaced from his chronic bouts of addiction in an attempt to revive his on-again/off-again recording career. Truth be told, Gordon was actually on parole from Chino State Penitentiary and co-starring in a local Los Angeles production of The Connection -- a play ironically enough about the victims of heroin dependence. Julian "Cannonball" Adderley was able to talk the tenor into participating in a no-strings-attached studio date. Gordon (tenor sax), alongside Martin Banks (trumpet), Richard Boone (trombone), Charles "Dolo" Coker (piano), Charles Green (bass), and Larry Marable (drums) convened under the watchful eyes and ears of legendary producer Wally Heider in mid-October 1960 to document the half-dozen selections featured here. Not surprisingly -- especially under the circumstances -- Gordon only supplies a third of the contents with the remainder of the excellent material courtesy of pianist Coker. The piercing, penetrating melody of the Gordon-penned "Home Run" gets things underway as the horns' boppin' call-and-response sets the pace for the solos to follow. Coker's contributions are uniformly strong, and the frenetic energy of "Dolo" -- the keyboardist's nickname -- gives Gordon something substantive to dig into. And he does just that with all the assured litheness that ultimately defined Dexter Gordon's musical phoenix. After reeling off ribbons of sonic inspiration, Coker keeps up with him tickling the 88s with an enviable panache while maintaining the full-throttled pace. The bouncy blues of "Lovely Lisa" and the exotic syncopation fused within "Affair in Havana" place Gordon's sax in prominent proximity to Banks and Boone for a brass-lovers treat. The tunes are complex and provide insight into Gordon's flawless improvisational prowess. Gordon's other composition is the evocative ballad "Jodi." His lines are robust yet retain a moody and searching mystique. The subtleties become more clearly revealed when contrasted to Coker's comparatively personable interlude. "Field Day" closes the effort on a lighthearted and uptempo note. Boone getting his chops in early, followed by Gordon and then the highly underutilized Banks, who saves his best work for the end of the album. All told, The Resurgence of Dexter Gordon uncovers the immeasurable talents of an artist whose musical journey passes a critical crossroads on this project. ~ Lindsay Planer
Be The First To Write A Review
Original Jazz Classics 929
In Stock -- Item Ships for FREE
Add to wishlist
What viewers like you said...
Have you listened to this album?
Be the first to write a review
Also suggested for you...
buy now for
buy now for
buy now for
buy now for
All rights reserved. This website and its contents are the exclusive property of Movie Mars, Inc. As such, reproduction in whole or in part, by any means, and any use for commercial purposes, of any portion of the material contained herein, including, but not limited to, text, graphics, logos, trademarks, photographs, video clips and sounds files is strictly prohibited. Portions of this page Copyright