CD Town Hall, New York City, June 22, 1945 (CD 205591),
Movie Mars Home Page
Welcome to MovieMars.com!
back to browsing
Town Hall, New York City, June 22, 1945
1. Intro - (previously unreleased)
2. Bebop - (previously unreleased)
3. Night in Tunisia, A - (previously unreleased)
4. Groovin' High - (previously unreleased)
5. Salt Peanuts - (previously unreleased)
6. Hot House - (previously unreleased)
7. Fifty Second Street Theme - (previously unreleased)
Manufacturer Part Number (MPN): 2751
Robert E. Sunenblick M.D.
Personnel: Dizzy Gillespie (trumpet); Dizzy Gillespie; Curly Russell (double bass); Charlie Parker (alto saxophone); Don Byas (tenor saxophone); Al Haig (piano); Max Roach, Big Sid Catlett (drums).
Liner Note Authors: Robert E. Sunenblick M.D.; Ted Kendall; Ira Gitler.
Recording information: Town Hall, New York, NY (06/22/1945).
Photographer: Charles B. Nadell.
The historic live Town Hall sessions by Dizzy Gillespie and Charlie Parker from 1945 have been discovered on an acetate pressing, and are transferred with digital enhancement to CD. Why this concert was not issued initially is understandable, but Ira Gitler's informative and insightful liner notes suggest they likely were misplaced. What Gitler's essential writing also reveals is that these dates were approximate by only weeks to the original studio recordings of these classics, and there was no small amount of controversy surrounding this revolutionary bebop. Clearly bop was a vehicle for intricate melodic invention followed by lengthy soloing, aspects of which Parker with Gillespie were perfectly suited for. Fact is, the situation surrounding the sonic capture and extended neglected shelf life of this performance was far from optimal. Symphony Sid Torin is the M.C., rambling as always, making repeated references to Dizzy "Jillespie" and misidentifying Max Roach as Sid Catlett on "Salt Peanuts." (Catlett does sit in on "Hot House" in a more supportive than demonstrative role.) The tracks with the brilliant Roach are on fire, particularly the super-hot "Salt Peanuts," with pianist Al Haig flying beside him. Haig is perhaps the most impressive musician. The rhythm section, especially Haig, is more present in the mix and up front, while the trumpet and alto sax are buried. As the concert progresses, it gets better, with Gillespie's muted trumpet clearer. Parker lays back on the mike, but not in spirit or bravado for "Interlude," which is now known as "A Night in Tunisia," and better balanced during "Groovin' High," which was originally titled "Whispering." There seems to be an unplanned slight key chance in the bridge of "Groovin' High." A late-arriving Parker was in part replaced by tenor saxophonist Don Byas, who sounds terrific on the opener, "Bebop," until Parker steps on-stage and ups the ante. At under 41 minutes in length, this can be looked upon as a historical document, likely appealing only to completists. But the overriding factor of previously undiscovered Diz and Bird makes the CD something all bebop fans should readily embrace, despite its audio deficiencies. ~ Michael G. Nastos
Entertainment Weekly (p.77) - "...[A] joyful, well-recorded slice of essential jazz history...." - Grade: A minus
The Wire (p.74) - "If you're looking for the essence of bebop, in all its exhilarating glory before complacency and slickness set in, it's right here."
Be The First To Write A Review
Uptown Records (Jazz) 2751
In Stock -- Item Ships for FREE
Add to wishlist
What viewers like you said...
Have you listened to this album?
Be the first to write a review
Also suggested for you...
buy now for
buy now for
buy now for
buy now for
All rights reserved. This website and its contents are the exclusive property of Movie Mars, Inc. As such, reproduction in whole or in part, by any means, and any use for commercial purposes, of any portion of the material contained herein, including, but not limited to, text, graphics, logos, trademarks, photographs, video clips and sounds files is strictly prohibited. Portions of this page Copyright