CD Elvis at Sun [Elvis Presley] (CD 1070189),
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Elvis at Sun [Elvis Presley]


  • 1. Harbor Lights
    2. I Love You Because - (alternate take)
    3. That's All Right
    4. Blue Moon of Kentucky
    5. Blue Moon
    6. Tomorrow Night
    7. I'll Never Let You Go (Little Darlin')
    8. Just Because
    9. Good Rockin' Tonight
    10. I Don't Care if the Sun Don't Shine
    11. Milkcow Blues Boogie
    12. You're a Heartbreaker
    13. I'm Left, You're Right, She's Gone - (slow version)
    14. I'm Left, You're Right, She's Gone
    15. Baby Let's Play House
    16. I Forgot to Remember to Forget
    17. Mystery Train
    18. Trying to Get to You
    19. When It Rains, It Really Pours
    Read More...
  • Additional Info
    Manufacturer Part Number (MPN): 61205

  • Credits
    ProducerSam Phillips; Sam Phillips; Ernst Mikael Jorgensen (Compilation); Roger Semon (Compilation)
    EngineerSam Phillips; Sam Phillips

    Personnel: Elvis Presley (vocals, guitar, piano); Elvis Presley; Doug Poindexter (guitar); Bill Black (double bass); Jimmy Lott, Johnny Bernero (drums); Scotty Moore (guitar).
    Liner Note Authors: Ernst Mikael Jorgensen; Knox Phillips.
    Recording information: Sun STudios, Memphis, TN (07/05/1954-11/??/1955).
    Cited by many historians as the definitive documents of rock & roll's earliest era, Elvis Presley's Sun recordings are cultural milestones arguably as influential as any American music ever created. ELVIS AT SUN supplants THE SUN SESSIONS as the most comprehensive and well-researched single-disc collection of these historic tracks (the two-disc SUNRISE being the ultimate Sun motherlode). Pairing every extant original master tape with modern mastering techniques, the disc provides excellent-sounding versions of these cherished tracks. Ernst Mikael Jorgensen's excellent liner notes detail a wealth of fascinating information, even going so far as to discuss contemporaneous lost recordings.
    Of course, the primary focus here is the music itself, which captures the raw energy and chemistry of Presley, bassist Bill Black, and guitarist Scotty Moore (along with visionary producer Sam Phillips) at its most exciting. From the revolutionary country/blues hybrid of "That's All Right" (Elvis's first rock recording) to the Dean Martin-meets-Hank Williams shuffle of "Trying to Get to You," ELVIS AT SUN not only reveals the incredible rate at which Presley's art developed, but gives the listener a close-up experience with one of music's most pivotal periods.

  • Critic Reviews
    Q (p.130) - 4 stars out of 5 - "[These tracks] see Elvis and his accomplices finding their feet so quickly that they're soon poised admirably close to the cutting-edge."
    Mojo (Publisher) (p.112) - 5 stars out of 5 - "[A] mutant blend of R&B, bluegrass, Dean Martin-style crooning, country and blues sung by a hugely talented teenager which defined rockabilly and laid the ground for every subsequent rock musician on the planet - it's absolutely unbeatable."
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