CD A Star Is Born [Remaster] [Original Soundtrack/James Mason/Judy Garland] (CD 1359402),
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A Star Is Born [Remaster] [Original Soundtrack/James Mason/Judy Garland]

  • 1. Overture
    2. Medley: Night of the Stars (Previously Unreleased): The Show / Why / Salute To The Lions
    3. Gotta Have Me Go With You
    4. Norman At Home / Gotta Have Me Go With You - (previously unreleased)
    5. Passion Oriental - (previously unreleased)
    6. Man That Got Away, The - (expanded)
    7. Cheatin' on Me - (previously unreleased)
    8. I'm Quitting The Band / The Man That Got Away - (previously unreleased, partial outake)
    9. Man That Got Away, The - (previously unreleased, Instrumental/partial outake)
    10. Esther In The Boarding House / The Man That Got Away - (previously unreleased)
    11. Oliver Niles Studio / Lose That Long Face - (previously unreleased)
    12. Esther's Awful Makeup / The Man That Got Away - (previously unreleased)
    13. First Day In The Studio / The Man That Got Away - (previously unreleased)
    14. Born in a Trunk: Swanee / Born In A Trunk / I'll Get By / You Took Advantage Of Me / Black Bottom / The Peanut Vendor / My Melancholy Baby / Swanee (reprise)
    15. Easy Come, Easy Go - (previously unreleased)
    16. Here's What I'm Here For
    17. The Honeymoon / The Man That Got Away / It's A New World - (previously unreleased)
    18. It's a New World
    19. Someone at Last
    20. Lose That Long Face
    21. Norman Overhears The Conversation / It's A New World - (previously unreleased)
    22. It's a New World - (previously unreleased, alternate take)
    23. The Last Swim / The Man That Got Away - (previously unreleased)
    24. Finale-End Credits - (previously unreleased)
    25. When My Sugar Walks Down the Street - (previously unreleased, Bonus)
    26. Trinidad Coconut Oil Shampoo Commercial, The - (previously unreleased, Bonus)
  • Additional Info
    Manufacturer Part Number (MPN): 65965

  • Credits

    This is true stereo, except for 4 songs that have been rechanneled from mono, and digitally re-mastered.
    Principal cast includes: Judy Garland.
    Composer: Harold Arlen.
    Lyricist: Ira Gershwin.
    Personnel: Judy Garland (vocals).
    Liner Note Author: John Fricke.
    The 1954 remake of A Star Is Born, starring Judy Garland, marked a major cinematic comeback for the actress, her first film since being dropped by MGM in 1950 and a major box-office hit that earned her an Academy Award nomination. The soundtrack album, which, in its initial release, consisted solely of Garland vocal performances (two of them, "Here's What I'm Here For" and "Lose That Long Face," cut from the film shortly after it opened), marked another kind of comeback for her. As with her film career, it was her first recording since 1950's Summer Stock soundtrack to achieve commercial success; it peaked at number four on Billboard's LP chart and never went out of print over the next 50 years, with this expanded version released in 1988 and an even longer one in 2004. In its original version, it consisted of seven tracks, six of them written by Harold Arlen and Ira Gershwin. Five of those are good tunes, but one, the Oscar-nominated torch song "The Man That Got Away," became a standard and a signature song for Garland. The other highlight of the album is the 15-minute "Born in a Trunk" medley, a virtual musical autobiography that seems to refer as much to Garland herself as to the character she plays in the movie. Leonard Gershe and an uncredited Roger Edens (Garland's longtime associate who had written much special material for her in the past and could not be named because he was still under contract at MGM) assembled it and wrote connective material, resulting in a tour de force. This 1988 reissue differs from the original one in three ways. First, it adds a two-minute "Overture"; second, unlike the original, which consisted of the studio prerecordings without any of the added film sound effects, this one does have sound effects and therefore comes closer to what the actual film soundtrack sounded like; and third, unlike every previous release, it is in true stereo. ~ William Ruhlmann

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