CD Let Me Off Uptown [Cheryl Bentyne] (CD 633649),
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Let Me Off Uptown [Cheryl Bentyne]

  • 1. Let Me Off Uptown
    2. Pick Yourself Up
    3. Honeysuckle Rose
    4. Skylark
    5. Let's Face the Music and Dance
    6. Man With a Horn
    7. Boogie Blues
    8. It Shouldn't Happen to a Dream
    9. Whisper Not
    10. Tea for Two
    11. Little Girl Blue
    12. I Won't Dance
    13. Waiter, Make Mine Blues
  • Additional Info
    Manufacturer Part Number (MPN): 83606

  • Credits
    ProducerCorey Allen; Bill Traut; Corey Allen
    EngineerTom McCauley

    Personnel: Cheryl Bentyne (vocals); Cheryl Bentyne ; Rob Efford (saxophone); Bob Summers (trumpet); Kevin Axt (double bass); Jack Sheldon (vocals, trumpet); Grant Geissman, Larry Koonse (guitar); Lanny Morgan (saxophone, alto saxophone); Pete Christlieb (saxophone, tenor saxophone); Chris Tedesco , Carl Saunders (trumpet); Bob McChesney (trombone); Corey Allen (piano, keyboards); David Tull (drums).
    Audio Mixers: Corey Allen; Tom McCauley.
    Liner Note Author: Corey Allen.
    Recording information: Castle Oaks Studios, Calabasas, CA (11/02/2004/11/03/2004).
    Photographer: Steve Melnick.
    Most jazz aficionados will rank Anita O'Day as one the very best vocalists that the genre had to offer in the 1940s and 1950s. Her satiny tone, natural sense of rhythm, and improvisational skills placed her alongside the elite voices of the day. Manhattan Transfer's Cheryl Bentyne recognizes O'Day's vocal contributions by paying tribute to the singer on her second Telarc Jazz release, Let Me Off Uptown. For those familiar with both O'Day and Bentyne, the pairing of the vocalists is practically ideal as Bentyne's technical skills, phrasing, and tone are often reminiscent of O'Day's in her earlier and best works. This is most apparent with Bentyne's version of "Pick Yourself Up." The ease with which she playfully recites the lyrics is haunted by O'Day's delivery, but it is not imitation. Bentyne simply, yet skillfully, sings the song unadorned by any vocal acrobatics and the result is a tasteful performance that allows a listener to not only relax and enjoy the vocalist, but also appreciate the melody of this Jerome Kern/Dorothy Fields classic. That natural gift is what O'Day gave to a great song, and Bentyne has acquired the same ability. If there is a difference, it is that Bentyne has a gentler approach to a melody, especially on ballads like "Skylark" or the gorgeous "Man With a Horn." Perhaps her vocalizing as part of a group in Manhattan Transfer helped lead to this softness, but it is nonetheless delightful and effective. O'Day's more energetic spirit shines brilliantly as her already fast paced "Tea for Two" is revved up even further providing a real challenge for Bentyne, yet she takes it head-on and makes the complex lyrical and improvisational passages seem effortless. Of course a part of this disc's success is owed to the musicians who accompany Bentyne. Drummer David Tull and bassist Kevin Axt impeccably keep the rhythm while trumpeter Jack Sheldon provides quality solo work and even duets with Bentyne on the humorous O'Day/Roy Eldridge hit "Let Me Off Uptown." As with O'Day, what is anticipated from Bentyne is a performance that is pure, comfortable and sophisticated. With this collection she has met those expectations while capturing the spirit of O'Day, and those who listen to Cheryl Bentyne's Let Me Off Uptown will have the benefit of discovering two great artists. ~ Aaron Latham

  • Critic Reviews
    JazzTimes (p.102) - "[S]he travels a serpentine path through bop, ballads and blues, serving up a varied bag of treats that extends from the gorgeously seductive 'Whisper Not' to the bourbon-soaked urbanity of 'Waiter, Make Mine Blues'."
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