CD Corky's Debt to His Father (CD 176450),
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Corky's Debt to His Father


  • 1. Lesson, The
    2. Oyster Thins
    3. Horses
    4. Dear Betty Baby
    5. Venus in the Morning
    6. To You
    7. Fortune
    8. Black Legs
    9. Good Brisk Blues
    10. Around the Home
    11. Worried Worried
  • Additional Info
    Manufacturer Part Number (MPN): 49

  • Credits
    Producer
    EngineerFrank Davis; Roger Romano

    Personnel: Mayo Thompson (vocals, guitar, organ, bass); Frank Davis (guitar, fiddle, organ, tympani); Mike Sumler (electric & slide guitar, tenor saxophone, organ, bass, drums); LeAnne Romano (baritone saxophone); Roger Romano (trumpet, percussion, bass); Joe Dugan (piano, steel guitar, bass); Chuck Conway (drums, percussion); Jimi Newhouse, Carson Graham (drums); The La-La's, The Whoaback Singers (background vocals).
    Producers include: Roger Romano, Frank Davis, Mayo Thompson.
    Recorded at Andrus Studio, Houston, Texas.
    Personnel: Mayo Thompson (vocals, guitar, piano, organ); Mike Sumler (guitar, slide guitar, tenor saxophone, C-melody saxophone, organ, drums, bongos); Frank Davis (guitar, fiddle, organ, timpani); Joe Dugan (steel guitar, piano, organ); Roger Romano (trumpet, organ, percussion); Jimmy Newhouse, Carson Graham (organ, drums).
    Recording information: Andrus Studio, Houston, TX.
    Unknown Contributor Role: Mike Sumler.
    Although this, to put it mildly, is not a record for mainstream tastes, it nevertheless may be more palatable to pop ears than any of Thompson's numerous Red Krayola records. With a folkier bent than his group projects, Thompson projects himself as a lovable oddball of sorts, stringing together free-associative, non-sequitur lyrics against chord progressions and time signatures that, as is his wont, refuse to adhere to accepted norms. Much of it's rather catchy (if not hummable), though, with a whimsical sense of fun that makes it impossible to dismiss as pretentious artsiness. ~ Richie Unterberger

  • Critic Reviews
    Alternative Press (10/94, p.113) - "...skewered, eccentric, country folk filtered through a Tourettes sensibility..."
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