CD Cruise Yourself (CD 174731),
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Cruise Yourself


  • 1. Tucked-In
    2. Cruise Your New Baby Fly Self
    3. Kill the Sexplayer
    4. I Don't Got a Place
    5. Psychic Know-How
    6. Explicitly Yours
    7. From Now On
    8. Raindrop
    9. Royal Lowdown, The
    10. My Martini
    11. Glazed-Eye
    Read More...
  • Additional Info
    Manufacturer Part Number (MPN): 134

  • Credits
    ProducerTed Niceley
    EngineerEli Janney

    Girls Against Boys: Scott McCloud (vocals, guitar); Eli Janney (organ, vibraphone, bass); Johnny Temple (bass, samples); Alexis Fleisig (drums).
    Recorded at Oz Studios, Baltimore, Maryland in May 1994.
    Having fully made their case with Venus Luxure, Girls Against Boys kept on course with the equally fine Cruise Yourself. The hints of lounge and Vegas were even more explicit here -- the cocktail artwork on the CD, the fact that one particularly bitter number is called "My Martini." Again, though, these weren't the gauche clichs of characters like Combustible Edison, but signposts of a vicious, cutting quality in lyrics and music. McCloud's purring rasp again serves as one of the band's chief qualities, perfectly suited to the sassy, snarling burn of songs like "Cruise Your New Baby Fly Self" and "The Royal Lowdown." Though backing vocals aren't specifically credited, it's Janney adding the high parts here and there, such as the effectively creepy chorus of "Explicitly Yours." Ted Niceley and Janney once again handle the production/engineering combination, and, unsurprisingly, the whole album is a tightly wound effort that sounds like it's going to explode every second. In an interesting switch, and a demonstration of the band's increasing reach, Temple took over the duties with the sampler, while Janney concentrated not only on his own bass work, but organ and vibes as well. "Kill the Sexplayer" was the arguable standout, and while again many critics saw McCloud's slurring sneer as being the new incarnation of Mark E. Smith, that's a lazy connection. McCloud's singing oozes its own attitude, while the band isn't reinventing art/rockabilly as much as finding its own fast, bass-led charge. Certainly, though, the German motorik touches both bands share have their place on Cruise Yourself -- half the time on "Psychic Know-How," Fleisig is laying down a smart Krautrock chug and both Temple and Janney are right there with him, especially with Janney's keyboard glaze. And at one point -- "From Now On" -- McCloud's distorted rasp does for once sound exactly like the Mancunian master. ~ Ned Raggett

  • Critic Reviews
    Q (11/94, p.112) - 3 Stars - Good - "...comes on like a gruff barroom crooning song, and while they're stiff sometimes, too one-dimensional...[it's] a distinct improvement on past releases..."
    Alternative Press (2/95, pp.60-61) - "...The sound of CRUISE YOURSELF is bold, dense, heavy as Kafka, and discreetly chaotic....The power of GVSB's musical and lyrical economy renders them pioneers, even when--rarely--their influences pop up..."
    Melody Maker (10/8/94, p.37) - Highly Recommended - "...CRUISE YOURSELF oozes potential violence like a coupla thugs leaning against a wall idly paring their nails..."
    NME (Magazine) (10/15/94, p.52) - 7 - Very Good - "...hip, funny, dirty, action-packed racketmongers....they'll do nicely..."
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