CD Fusion for Miles: A Guitar Tribute [026245404120] (CD 211328),
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Fusion for Miles: A Guitar Tribute [026245404120]


  • 1. Black Satin - Jimmy Herring/Various Artists
    2. Splatch - Jeff Richman/Various Artists
    3. Jean-Pierre - Eric Johnson/Various Artists
    4. So What - Mike Stern/Various Artists
    5. Nefertiti - Bill Frisell/Various Artists
    6. Eighty One - Bill Connors/Various Artists
    7. Serpents Tooth - Pat Martino/Various Artists
    8. It's About That Time - Warren Haynes/Various Artists
    9. Back Seat Betty - Steve Kimock/Various Artists
    10. Spanish Key - Birli Lagrne
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  • Additional Info
    Manufacturer Part Number (MPN): 4041

  • Credits
    ProducerJeff Richman
    EngineerKen Wallace; Paul Tavenner; Tucker Martine

    Various Artists: Alphonso Johnson (bass guitar); Jeff Richman, Larry Goldings, Vinnie Colaiuta.
    Personnel: Eric Johnson , Jeff Richman, Jimmy Herring, Mike Stern, Pat Martino, Warren Haynes, Bill Connors, Bill Frisell, Birli Lagrne, Steve Kimock (guitar); David Liebman (saxophone); Larry Goldings (organ); Vinnie Colaiuta (drums).
    Additional personnel: Steve Kimmock (guitar); Eric Johnson , Jimmy Herring, Mike Stern, Pat Martino, Warren Haynes, Bill Connors, Bill Frisell, Birli Lagrne.
    Audio Mixer: Paul Tavenner.
    Recording information: Big City Recording, Granada Hills, CA; Flora.
    Photographers: Jeff Richman; Ralph Gibson; Max Crace.
    Arranger: Jeff Richman.
    Titled Fusion for Miles: A Guitar Tribute, this set is a bit unusual. A five-piece band that includes Dave Liebman on soprano sets up grooves and backgrounds that sound like Miles Davis' bands of 1969-1971. A different guitarist is featured on each of the ten selections, with the biggest names being Mike Stern, Bill Frisell, Bill Connors, and Pat Martino. Ironically, those four are each featured on pre-fusion Davis-associated songs ("So What," "Nefertiti," "Eighty-One," and "Serpent's Tooth") that are performed with funk rhythms and as if Davis had revived them in 1970. In addition to having a string of guitars in the foreground, it is unusual to hear this music without any trumpeters. But overall, the project is successful with plenty of fireworks and creative playing along the way, reviving music from 35 years earlier that still manages to sound fresh and slightly menacing. ~ Scott Yanow

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