CD Heaven Tonight [Remaster] (CD 1188570),
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Heaven Tonight [Remaster]

  • 1. Surrender
    2. On Top of the World
    3. California Man
    4. High Roller
    5. Auf Wiedersehen
    6. Takin' Me Back
    7. On the Radio
    8. Heaven Tonight
    9. Stiff Competition
    10. How Are You
    11. Oh Claire
    12. Stiff Competition - (previously unreleased, outtake)
    13. Surrender - (outtake)
  • Additional Info
    Manufacturer Part Number (MPN): 65648

  • Credits
    EngineerGary Ladinsky

    Also available in a 3-pack with CHEAP TRICK and IN COLOR.
    Cheap Trick: Rick Nielsen (vocals, guitar, mandocello); Robin Zander (vocals, guitar); Tom Petersson (vocals, bass, 12-string bass); Bun E. Carlos (drums).
    Reissue producer: Bruce Dickinson.
    Recorded at The Record Plant, Los Angeles, California and Sound City, Van Nuys, California. Includes liner notes by Greg Knot.
    Digitally remastered by Vic Anesini (Sony Music Studios).
    Cheap Trick: Robin Zander (vocals, guitar); Rick Nielsen (guitar); Tom Petersson (bass guitar); Bun E. Carlos (drums).
    Heaven Tonight, like In Color, was produced by Tom Werman, but the difference between the two records is substantial. Where In Color often sounded emasculated, Heaven Tonight regains the powerful, arena-ready punch of Cheap Trick, but crosses it with a clever radio-friendly production that relies both on synthesizers and studio effects. Even with the fairly slick production, Cheap Trick sound ferocious throughout the album, slamming heavy metal, power pop, and hard rock together in a humongous sound. "Surrender," the definitive Cheap Trick song, opens the album with a tale about a kid whose parents are hipper than himself, and the remainder of the record is a roller coaster ride, peaking with the sneering "Auf Wiedersehen," the dreamily psychedelic title track, the roaring rocker "On Top of the World," the high-stepping, tongue-in-cheek "How Are You," and the pulverizing cover of the Move's "California Man." Heaven Tonight is the culmination of the group's dizzying early career, summing up the strengths of their first two albums, their live show, and their talent for inverting pop conventions. They were never quite as consistently thrilling on record ever again. [The 2006 Japanese edition includes bonus tracks.] ~ Stephen Thomas Erlewine

  • Critic Reviews
    Rolling Stone (4/11/02, p.108) - Ranked #39 in Rolling Stone's "50 Coolest Records" - "...Beach Boys harmonies over Trans Am guitar riffs..."
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