CD Look into the Eyeball (CD 939030),
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Look into the Eyeball


  • 1. U.B. Jesus
    2. Revolution, The
    3. Great Intoxication, The
    4. Like Humans Do
    5. Broken Things
    6. Accident, The
    7. Desconocido Soy
    8. Neighborhood
    9. Smile
    10. Moment of Conception, The
    11. Walk on Water
    12. Everyone's in Love with You
    Read More...
  • Additional Info
    Manufacturer Part Number (MPN): 50924

  • Credits
    ProducerMichael Mangiri; Mike Mangini
    EngineerKen Lewis; Ken Lewis

    LOOK INTO THE EYEBALL was nominated for the 2002 Grammy Award for Best Recording Package.
    Personnel: David Byrne (vocals, guitar, Mellotron, keyboards); David Byrne; NRU (vocals); Dan Reed, Fiona Simon, Lisa Kim, Suzanne Ornstein, Laura Seaton (violin); Sue Pray, Robert Rinehart, Nick Cords (viola); Eileen Moon, Alan Stepansky , Sarah Seiver (cello); Virgil Blackwell (clarinet); Shelley Woodworth (English horn); Roger Rosenberg (baritone saxophone); Laurence Etkin (trumpet, flugelhorn); Bob Carlisle , Stewart Rose (French horn); Herb Besson, Robert Funk, Birch Johnson (trombone); Ken Lewis (keyboards, percussion); Ken Lewis (keyboards); Greg Cohen (bass instrument, upright bass); Paulinho Braga, Vinicius Canturia (percussion); Kysia Bostic, Marlon Saunders, Vivian Cherry (background vocals); Sandra Park, Sharon Yamada (violin); Tony Kadleck (trumpet, flugelhorn); Thom Bell (Fender Rhodes piano); Shawn Pelton (drums, percussion); Mauro Refosco (percussion); Imani Coppola (background vocals).
    Audio Mixer: Ken Lewis .
    Recording information: -Cutting Room Studio; El Ensavo Studio, Mexico; Sound on Sound Studio, NY.
    Arrangers: David Byrne; Thom Bell; Greg Cohen; Jaques Morelenbaum.
    Like its predecessor FEELINGS, LOOK INTO THE EYEBALL folds David Byrne's various sonic preoccupations--funk, world music, string quartets, quirky pop-rock with heady lyrics--into a relatively seamless whole. "Like Humans" bears a post-modern R&B slant that recalls SPEAKING IN TONGUES-era Talking Heads. "The Revolution" is an ornate ballad centered around gentle acoustic guitar. "The Great Intoxication" is powered by the Brazilian percussion of Byrne cohort Vinicius Cantuaria. The strings-and-woodwind arrangement of "The Accident" adds a contemporary-classical edge. But from the breakbeats of "The Moment of Conception" to the Beatlesque guitar chords of "Everyone's in Love with You," Byrne manages to synthesize all the disparate stylistic elements in his formidable palette into a single, focused vision. Lesser men would drop the contextual ball on such an eclectic undertaking, but a veteran conceptualist like Byrne makes it seem easy.

  • Critic Reviews
    Entertainment Weekly (5/11/01, p.80) - "...[Byrne's] Great Solo Album, folding his obsessions with Afro-Cuban rhythms, Brazilian art song, American soul-funk, and workaday surrealism into perhaps his sweetest melodies ever..." - Rating: A-
    Q (6/01, p.102) - 3 stars out of 5 - "...There's much to enjoy here - milkman-friendly melodies and all."
    CMJ (5/14/01, p.12) - "...His best album since REI MOMO..."
    Mojo (Publisher) (5/01, pp.108-9) - "...Rarely has he sounded so vital...this is stirring stuff....the album's textures are delicious..."
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