CD Preludes [I Was Totally Destroying It] [CD] [1 disc] (CD 7023650),
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Preludes [I Was Totally Destroying It] [CD] [1 disc]


  • 1. Wrecking Ball
    2. Control
    3. All Get Lucky
    4. Regulators
    5. When Chaos Comes
    6. Out Tonight
    7. With You Now
    8. Twenty-Thousand
    9. Fight/Flight
    10. Key & the Rose, The
  • Additional Info
    Manufacturer Part Number (MPN): gdp-048

  • Credits
    ProducerI Was Totally Destroying It
    EngineerAl Jacob; Mitchell Marlow

    Personnel: John Booker (vocals, guitar); Rachel Hirsh (vocals, keyboards); Curtis Armstead (guitar); James Hepler (drums, percussion).
    Audio Mixers: Al Jacob; Mitchell Marlow.
    Recording information: Warrior Sound, Chapel Hill, NC (11/2010).
    Photographer: Thomas Pintaric.
    On Preludes, I Was Totally Destroying It certainly try to live up to their name in some shape or form: singing "Me against the world" and relying on a big, chunky rock riff for the opening song certainly shows they're not ones to shy away from anthems. John Booker isn't cut out for rough-voiced rabble rousing as much as cleaner (if sometimes strained) vocals, while Rachel Hirsh's own lead vocals have a similar feeling emotionally, but are just that much stronger in impact on the technical level to provide an often compelling balance. There's also a funny sense of how much the music sounds like it could have been U.K. indie just pre-Nirvana; it's cheery but still a bit clean, mixed with the continuing impact of new wave hyperactivity as translated by the 21st century. (Something about the keyboards and guitars suggests late-'80s Cure.) Big choruses and a sense that they really mean it crop up constantly, and it's all very passionate in its own way. Demi-ballads like "All Get Lucky" and "Fight/Flight" provide a contrast to the full-on brawlers like "Twenty-Thousand," the album's strongest track. There's something that feels just a little off about the album regardless -- perhaps the way things sound pitched toward the high end in the mix -- and there's a sense that Preludes feels more like a coda than a start. Then again, the band seems not to want it any other way. ~ Ned Raggett

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