CD Private Audition/Passionworks [Slipcase] (CD 4675478),
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Private Audition/Passionworks [Slipcase]


  • 0. DISC 1:
    1. City's Burning
    2. Bright Light Girl
    3. Perfect Stranger
    4. Private Audition
    5. Angels
    6. This Man Is Mine
    7. Situation, The
    8. Hey Darlin' Darlin'
    9. One Word
    10. Fast Times
    11. America
    0. DISC 2:
    1. How Can I Refuse
    2. Blue Guitar
    3. Johnny Moon
    4. Sleep Alone
    5. Together Now
    6. Allies
    7. (Beat By) Jealousy
    8. Heavy Heart
    9. Love Mistake
    10. Language of Love
    11. Ambush
    Read More...
  • Additional Info
    Manufacturer Part Number (MPN): BGOCD 888

  • Credits
    ProducerKeith Olsen
    EngineerDavid Thoener; Dennis Sager; Keith Olsen; Shelly Yakus; Brian Foraker

    Personnel: Howard Leese (vocals, guitar, acoustic guitar, acoustic 12-string guitar, electric guitar, alto recorder, synthesizer, bass guitar, cymbals, background vocals); Nancy Wilson (vocals, guitar, acoustic guitar, electric guitar, 12-string guitar, harmonica, synthesizer, bass guitar, background vocals); Ann Wilson (vocals, flute, piano, bass guitar, background vocals); David Paich (piano, synthesizer); Sue Ennis (piano); Steve Porcaro (synthesizer, programming); Denny Carmassi, Michael DeRosier (drums); Lynn Wilson, Mark Andes (background vocals).
    Audio Mixers: David Thoener; Steve Marcantonio; Brian Foraker.
    Audio Remasterer: Andrew Thompson .
    Liner Note Author: John O'Regan.
    Recording information: Kaye Smith, Seattle, WA; Studio 55, Los Angeles, CA; Wally Heider's, Los Angeles, CA.
    Photographers: Neal Preston; Dale Windham.
    Arranger: Keith Olsen .
    Private Audition, released in 1982, and Passionworks, issued in 1983, are Heart's last two albums for Epic before leaping over to EMI. These are generally the forgotten Heart albums, the ones that arrived after the majestic Zeppelin-esque hard rock of the `70s and before the arena rock makeover of the `80s, but that doesn't mean they're deserving of being overlooked, and hearing them on this BGO two-fer may be the best way to appreciate them, as the weak patches are overshadowed by the strong moments on both LPs. ~ Stephen Thomas Erlewine

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