CD Rolling Blackouts [Digipak] (CD 7011851),
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Rolling Blackouts [Digipak]


  • 1. T.O.R.N.A.D.O.
    2. Secretary Song - (featuring Satomi Matsuzaki/Yuko Araki)
    3. Apollo Throwdown - (featuring Dominique Young Unique)
    4. Ready to Go Steady - (featuring Lispector)
    5. Bust-Out Brigade
    6. Buy Nothing Day - (featuring The Girls at Dawn/Bethany Cosentino)
    7. Super Triangle
    8. Voice Yr Choice - (featuring Dominique Young Unique)
    9. Yosemite Theme
    10. Running Range, The - (featuring Marina Gasolina/The London African Gospel Choir)
    11. Lazy Poltergeist - (featuring Marina Gasolina/The London African Gospel Choir)
    12. Rolling Blackouts - (featuring Bethany Cosentino/Angele David-Guillou)
    13. Back Like 8 Track - (featuring The Pink Diamonds)
    Read More...
  • Additional Info
    Manufacturer Part Number (MPN): MI0178

  • Credits
    ProducerGareth Patton; The Go! Team
    Engineer

    Additional personnel: Gary Kavanagh, The Girls at Dawn, Lispector, Satomi Matsuzaki, Marina Gasolina, Dominique Young Unique, Bethany Cosentino, Yuko Araki, Samuel Byard, Micki Lekoma, Mbombo Nfumi, Franklin Anane, Daniel Baboulene, Crystal Hardwicke, Gloria Moyo, Luke Rhoden, Yeelen Hardwicke, The Pink Diamonds, Sam Hiscox, Ollie Malley, Noly Sithole, Laurie Carpenter, Lashelle McDonald, Lewis Husbands, Samantha Pugh, Angel Mhlanga, Sophia Gore, Rebecca Wheddon, William Wells , Angele David-Guillou.
    Audio Mixer: Sam Williams.
    Recording information: Black Iris Studios, Los Angeles, CA; Brighton Electric, Brighton; Fortress Studios, London, England; Laughing Dog Studios, New York, NY; Red Room Recorders, Tampa, FL; Runaway Studios, Tokyo, Japan; Temple Sound, Oxford, England.
    If the Go! Team's second album, Proof of Youth, sounded like they were remaking their debut, Thunder, Lightning, Strike, Rolling Blackouts sounds like they are remaking Proof of Youth. Like that record, this is filled with guest appearances, great songs, and a sense of collaboration that was missing from the sample-based first record. However, while Proof had a few weak points, Blackouts has no flaws at all. It's a thrillingly joyous and fun record that bursts out of the speakers with the call to arms of "T.O.R.N.A.D.O." and rarely lets up. If you thought that maybe the initial idea behind the band as concocted by Ian Parton, the sample-based blending of hip-hop, soundtrack music, indie rock, and hooky pop songs, was going to run out of steam or start to sound forced, you'd be way off. Way, way off. Parton seemingly used the time between albums to line up perfect collaborators, tweak the sound just enough to give it more life, and with his core band write a batch of wonderfully realized songs. From jangling, jet-powered rock tracks, schoolyard-with-strings hip-hop battle jams, and widescreen movie theme ballads to bubblegum sticky pop songs and rumbling gospel throwdowns, Parton and crew can conjure up almost anything and make it sound just right. The vocalists Parton chose fit just right, too. Dominique Young Unique's gum-smacking nonchalance and sassy rapping on "Apollo Throwdown" and "Voice Yr Choice" are a nice contrast to Ninja's enthusiasm and fire, Deerhoof's Satomi Matsuzaki's wide-eyed innocence sweetens the work-hating anthem "Secretary Song," the long-running lo-fi genius Lispector's singing on the ridiculously catchy "Ready to Go Steady" should inspire everyone to check out her albums, and the London African Gospel Choir gives the record some class on "The Running Range" (which also features some fun yelping from Marina Gasolina). Best of all is the feature for Best Coast's Bethany Cosentino, who in a feat of seerdom not known since the days of Nostrodamus, Parton contacted long before she became a ubiquitous poster girl for weedy indie rock. "Buy Nothing Day" is the record's highlight, as her vocals and the song combine to make the kind of song that would be a huge pop hit if the radio would only allow it. The near-perfect combination of guests, brilliantly constructed songs, and sounds that fit together like a multi-colored Lego wall of sound make Rolling Blackouts something very special. If the Go! Team can make a record this much fun, with this much style and skill, with this many well-chosen collaborators, and with this many hit songs every couple years, by the time they are done we'll be voting them into the Brilliant Pop Hall of Fame. Of course, we'll have to build it first; maybe we should call Parton because he's obviously capable of building something quite amazing. ~ Tim Sendra

  • Critic Reviews
    Spin (p.72) - "[T]he Brighton, England-based sextet bedazzle Gen-X childhood touchstones -- think the A-Team theme and proto-rap -- with crackling guitars and giddy lo-fi orchestration."
    Alternative Press (p.96) - 4 stars out of 5 -- "On ROLLING BLACKOUTS, the Go! Team pile fuzz bass, breakbeats, samples, melodies, double-dutch rapping and a million other things on top of each other at maximum volume, creating an incredibly singular and euphoric result."
    Mojo (Publisher) (p.97) - 3 stars out of 5 -- "[With] songs that break new, rich ground. 'Ready To Go Steady' is their first '60s girl-group love song..."
    Paste (magazine) - "[O]verflowing with left-field sonic trickery....The Go! Team has a sound all their own, mixing Bond theme gusto, show tune grandeur, indie rock clutter, and '90s hip-hop swagger."
    Clash (magazine) - "The prominence of structure beams through and makes this more of a traditional offering than a novelty. Still unlike anything else, this is time well spent."
    Uncut (magazine) (p.87) - 4 stars out of 5 -- "It's a rare skill to be able to craft music this relentlessly upbeat without it ever becoming corny or cloying."
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