CD The Atlantic Ocean [Slipcase] (CD 4623375),
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The Atlantic Ocean [Slipcase]


  • 1. Atlantic Ocean, The
    2. Original Thought, The
    3. Ballad of Old What's His Name
    4. R.I.P.
    5. Already Gone
    6. Hallelujah, Goodnight!
    7. First Time, The
    8. Bat Coma Motown
    9. End of an Age, The
    10. Song for Milton Feher, A
    11. Lady Luck
    Read More...
  • Additional Info
    Manufacturer Part Number (MPN): 50183

  • Credits
    ProducerMark Ronson; Richard Swift
    EngineerChristopher Colberg; Mark Ronson; Richard Swift; Casey Foubert; Joe Syring

    Personnel: Richard Swift (guitar, banjo, piano, toy piano, organ, Mellotron, synthesizer, bass synthesizer, xylophone, electric bass, drums, gong); Casey Foubert (electric guitar, banjo, viola, euphonium, electric bass, shaker); Sean Lennon (electric guitar, synthesizer); Steve Moore (trombone); Pat Sansone (Mellotron, electric bass); Mark Ronson (synthesizer); Ryan Adams (background vocals).
    Audio Mixer: Kevin Augunas.
    Liner Note Author: Lance Alton Troxel.
    Recording information: Allido, New York, NY; Avatar Studios, New York, NY; Lennon Residence, New York, NY; Metal Camp, Seattle, WA; National Freedom; The Wilco Loft, Chicago, IL.
    The fourth album by eclectic indie singer-songwriter Richard Swift opens with the subversively bouncy title track and the 1970s AM pop-influenced "The Original Thought." That playfulness and melodic invention continues throughout THE ATLANTIC OCEAN, by some distance more immediately accessible and tuneful than Swift's earlier releases, which tended more towards skeletal four-track experiments.

  • Critic Reviews
    Spin (p.84) - "[P]eppy keyboard pop, combining melodies that Elton John would envy with a gently sardonic voice that oozes regret..."
    Pitchfork (Website) - "Wisely keeping the looseness he found on GROUND TROUBLE JAW, Swift spruces everything else up with the sort of painstaking classicist touches that overly ambitious isnger/songwriters have spent hours in the studio refining..."
    Clash (magazine) (p.110) - "Lyrically Swift's brevity for creating such fascinating songs is never less than impressive. Another classic."
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