CD The Minimal Wave Tapes, Vol. 1 (CD 6270731),
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The Minimal Wave Tapes, Vol. 1

  • 1. Way of Living - Linear Movement
    2. Flying Turns - Crash Course in Science
    3. Radiance - Oppenheimer Analysis
    4. Who's Really Listening - Mark Lane
    5. Tempus Fugit - Tara Cross
    6. Blurred - Turquoise Days
    7. Mickey, Please... - Bene Gesserit
    8. Mosc Est Helado - Esplendor Geometrico
    9. Reassurance Ritual - Das Ding
    10. Just Because - Martin Dupont
    11. Game & Performance - Les Deux
    12. Things I Was Due to Forget - Somnambulist
    13. My Time - Ohama
    14. Cabinet, The - Das Kabinette
  • Additional Info
    Manufacturer Part Number (MPN): 2223

  • Credits

    Dedicated to unearthing obscure wallflower synth pop, Veronica Vasicka's Minimal Wave label began in 2005 and left an instant impression. Its first release was a 12" featuring four songs pulled from a cassette-only (200 copies) 1982 release by an English duo called Oppenheimer Analysis. By 2008, OA had not only re-formed and performed in a handful of countries, but had one of their reissued tracks, the gorgeous "Devil's Dancers," licensed for Clone's Classic Cuts series. Another thing that happened in 2008: Peanut Butter Wolf fell for the label and subsequently went about compiling this disc, issued on his Stones Throw label, with Vasicka. It follows over 20 Minimal Wave releases and is, for the most part, a sampler. Virtually all of these songs would have been at home on Mute, the spring board of kindred spirits and inspirations like Robert Rental, Depeche Mode, and Fad Gadget. They are just as varied as Mute's early catalog, ranging from the odd and experimental -- like the scraping and buzzing "Mosc Est Helado," from Spain's Esplendor Geomtrico, the most-known group here -- to straightforward synth pop, like Oppenheimer Analysis' "Radiance," as immediate and fully realized as anything OMD were producing at the time. Belgian trio Linear Movement's "Way Out of Living," one of the rawest tracks here, could have been shaped by Arthur Baker into a freestyle classic, while French co-ed duo Deux's "Game and Performance" snaps and bounces with "The Model"-era Kraftwerk-like precision. In some cases, these artists were not just current but somewhat advanced, most evident in Californian Mark Lane's "Who's Really Listening?," which -- like Section 25's "Looking from a Hilltop," also released in 1984 -- discreetly packs the acid squiggle that later revolutionized house music. Also check: New Deutsch (International Deejay Gigolo, 2003), Young But So Cold: Underground French Music 1977-1983 (Tigersushi, 2004), BIPPP: French Synth Wave 1979-85 (Born Bad, 2008), Clone Classic Cuts (Clone, 2008), and Typhoon: Portrait of the Electronic Years (Synthonic, 2009). ~ Andy Kellman

  • Critic Reviews
    Pitchfork (Website) - "[E]very track shares an exploratory, homemade feel in either production or the varying degrees of musicianship at work....It's an exciting peek into the experimental, underfunded aspect of a burgeoning trend."
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