CD Auf der Anderen Seite/The Edge of Heaven (CD 1160151),
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Auf der Anderen Seite/The Edge of Heaven


  • 1. Ben Seni Sevdugumi - Kazim Koyuncu/Sevval Sam
    2. Blacksea Trip - Shantel
    3. Kasap Havasi - Selim Sesler
    4. Koupes - I'll Smash Glasses - Shantel
    5. Son Hatira - Nese Kara Bcek
    6. Ta Travudia - Rootsman
    7. Ayten & Airport - Shantel
    8. Heyamo - Birol Topaloglu
    9. Inel Inel de Aur - Rona Hartner/DJ Click/Shantel (Bucovina Dub)
    10. Pietons - Shantel/Binder & Krieglstein/Binder-Hostettler Duo/Krieglstein (Bucovina Dub)
    11. lrsem Yaziktir - Sezen Aksu
    12. Eight Bars Later - Shantel
    13. Ben Seni in Dub - Kazim Koyuncu/Shantel
    14. Safak Trks - Ahmet Kaya
    15. Camburnu - Yusuf Kaba
    16. J.S. Bach: Menuet in G-Major - John Bullard
    17. Glazart Sea - Shantel
    18. Six Bars Later - Shantel
    19. Ben Seni Sevdugumi - Kazim Koyuncu
    20. Lotte & Ayten - Shantel
    21. Road to the Funeral - Shantel
    22. Ben Seni Sevdugumi - Mackali Hasan Tunc
    Read More...
  • Additional Info
    Manufacturer Part Number (MPN): 16

  • Credits
    Producer
    Engineer

    Photographer: Kerstin Stelter.
    Arrangers: Yusuf Kaba; Selim Sesler.
    Serving as a simultaneous soundtrack and compilation, Auf der Anderen Seite matches its topicality -- the German-Turkish co-production has its partial roots in the Turkish minority community that thrives in modern-day Germany -- with music that reflects the combination of past and the future at play. Coordinated by Shantel, who creates a number of shorter instrumentals throughout the disc (highlights including the spacy techno rampage of "Six Bars Later," all the more effective for being so brief), its wide range can be a bit herky-jerky as a listen, but with numerous highlights nonetheless. It begins and ends with two interpretations of an excellent song, "Ben Seni Sevdugumi," balancing out a modern-sounding, lower-key interpretation by Kazim Kayuncu and Sevval Sam with a older-sounding concluding take by Mackali Hasan Tunc, and with this as a model the disc explores from there. The contrasts avoid what has almost been a clich of "traditional sounds/modern beats" around the world in favor of a variety of fusions, some taking on fresher takes of older styles straight up, such as Selim Sesler's energetic "Kasap Havasi," which a band such as Gogol Bordello could regard as a kindred effort. Meantime the Top 40-ready beats and slink of "I'll Smash Glasses" show that this is a 21st century collection, not a re-created 19th century one. Elsewhere there's reggae-tinged lopes via the Rootsman's "Ta Travudia," female chorales on "Heyamo," and Shantel's own superior take on the Afro Celt Sound System's styles with "Pietons -- Bucovina Dub." ~ Ned Raggett

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