CD These Ears & Eyes (CD 998652), Audio Other
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These Ears & Eyes


  • 1. Bigger Than My Heart
    2. Lovin You Way Too Much
    3. These Ears and Eyes
    4. Little Drops of Water
    5. Bear of Orcas Island
    6. November
    7. Second Hand Smoke
    8. Ginger Lee
    9. Marmalade
    10. Mr. Blues
    11. Wayward Daughter, The
    12. Shinnecock Canal
    Read More...
  • Additional Info
    Manufacturer Part Number (MPN): 5407

  • Credits
    ProducerStuart Rosenberg
    EngineerMike Konopka

    Personnel includes: Paul Kahn (vocals, guitar); Stuart Rosenberg (violin); Donald Stiernberg.
    Personnel: Paul Kahn (vocals, acoustic guitar, electric guitar); Donald Stiernberg (vocals, guitar, tenor banjo, mandolin); Paul Kahn (vocals, acoustic guitar, electric guitar); Don Stiernberg (tenor, guitar, mandolin); Willy Schwarz (accordion, keyboards); Richie Fudoli (soprano saxophone, tenor saxophone); Audrey Morrison, Audrey Morrison (trombone); Richard Bunn (tuba); Luke Nelson, Luke Nelson (piano); Richard Bunn (bass guitar); Alan Waters, Alan Waters (percussion); Harris Thorpe"Chip" Covington (banjo); Stuart Rosenberg (mandolin, violin, keyboards); Morris Jennings (drums).
    Audio Mixers: Mycle Konopka; Tom Dube.
    Recording information: Playtime Music Studios; Q Division, Boston MA; The Bat Cave, Skokie IL.
    Photographers: Chris Colbourn; Peter Simon.
    In the '30s and '40s, traveling minstrel guitarist brought news, comedy, and drama to scattered American towns. Kahn tells stories like Dave Van Ronk and shares satire like Patrick Sky. Paul Kahn could have walked off a traveling medicine show and into a modern studio. Actually, instead of selling snake oil, this former string bassist for Bla Fleck's Tasty Licks has been running Concerted Efforts. There he books and manages roots artists -- also, as Paul Bernard, writing songs for C.J. Chenier and Eddy Clearwater. These Ears and Eyes is all-original material in the finest Americana traditions of country-blues, ragtime, and folk. "The Wayward Daughter" tells the personal side of a courtroom drama better than a newspaper ever could. "Marmalade" is a fun praise of a favored condiment. "Lovin' You Way Too Much" is in a Southern style and is a poignant telling of love lost -- the root of the best ballads. ~ Tom Schulte

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