CD Early Country Rock From Nashville (CD 6284519),
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Early Country Rock From Nashville

  • 1. Woman's Touch, A - Bobby Russell
    2. I Ain't No Beatle - Jack White
    3. Movin' Out, Movin' In - Jay Dee Pepper
    4. 99 Ways - Bobby & Bergen/Bob Adams
    5. Johnny B. Goode - Nashville Country Jamboree
    6. What Money Can't Buy - Clayton Ford
    7. Hello City Limits - Johnny Elgin
    8. Strange Places, Strange Faces - Chase Webster
    9. Fifth Wheel - Johnny Elgin
    10. Tiger in My Tank - Jack Bond
    11. Lovin' My Way Through Life - Johnny Elgin
    12. Used Wife Business, The - Carl Knight
    13. Great Big Woman - Jake & Josh
    14. Nervous Breakdown - Jake & Josh
    15. Almost to Nashville - The Nashville 7
    16. There Was a Time - Steve Bess
    17. Cat in the Corner - Gene Snipes
    18. Big Vine Covered House - Carl Phillips
    19. Don't Come Crying - Dallas Wade
    20. Broken Hearted Fool Like Me - Bobby Russell
    21. Down the Aisle to Heartbreak - Bergen White
    22. That's All Right Mama - Jerry Foster
    23. Too Tired to Run Anymore - Hal Kennedy
    24. When We're Together - John Reeves
  • Additional Info
    Manufacturer Part Number (MPN): TBIRD 0011

  • Credits
    ProducerFred James (Compilation)

    Liner Note Author: Fred James.
    If the phrase "early country rock from Nashville" is used in mainstream rock books, it will usually refer to the mid- to late-'60s recordings made in Music City by Bob Dylan, the Byrds, and the numerous other folk-rockers and singer/songwriters who followed their lead to cut discs there. This CD, however, has no such famous artists, and indeed, is a lot more country than rock, though it's not without its interest. Instead, it's wholly devoted to obscure recordings that appeared on the Spar label, an independent company that didn't have much of the way in commercial success, but recorded a great deal of music in a variety of genres. No exact recording dates or original release information are given for these two-dozen tracks, unfortunately, though an educated guess would put the time frame between the mid-'60s and early '70s. When Bergen White is about the best known of the artists, you know you're not talking about either the front-line of country-rockers or the A-team of Nashville sessionmen.
    Nonetheless, this is a pretty solid set of obscure Nashville country music of the era that took some influences from contemporary rock and soul, if you're willing to look past packaging that's skimpy on hard information. It sounds rather like someone at a Nashville publisher or studio decided, for his or her own pleasure, to wade through the mass of demos or studio tapes submitted by hopefuls who never made it, culling some of the better unreleased material that wasn't deemed quite commercial enough to merit serious investment. If it's short on true inspiration or innovation, the performances are almost unflaggingly sincere, and many of the songs reasonably catchy and lyrically intelligent, even as they fail to sound like convincing possible hits. Some of this verges on rock, including the novelty "I Ain't No Beatle" by Jack White (no, not that Jack White); a good deal of it's honky tonk or really straight Nashville country-pop that, despite the CD's title, isn't close to country-rock; and a few of the better songs seem like attempts to capture some of the country-pop crossover vibe of songs like "Gentle on My Mind." Steve Bess' "There Was a Time" has enough of a sense of wistful early- to mid-'60s pop hooks to stand out as a possible crossover hit that someone missed picking up on as a choice of material to cover. The compilation's not strong enough to recommend as something even open-minded, serious '60s Nashville country enthusiasts are likely to play over and over. But it's plenty diverting enough while it's spinning, and contains pretty consistently decent efforts that few would discover if they weren't compiled onto one CD. ~ Richie Unterberger

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