CD Rhythm Science (CD 1224910),
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Rhythm Science

  • 1. Afterimage/The First Reading
    2. Poesi/Alination et Magie Noire
    3. Oscillations - (Milky Remix)
    4. Encode/Let's From Some Loud Unworld's Most Rightful Wrong
    5. Zeta Reticulli/If I Told Him, A Completed Portrait of Picasso
    6. Accidents and Emergencies
    7. Oscillations /Biological Closure/Ursonate - (Vedic's Live Pop Remix/Biological C mix, live)
    8. Kali Rising/Pour Compte (Phases, 1949)
    9. April /Anna Livia Plurabelle (Finnegan's Wake) - (Remix)
    10. April /Sdii Audio Template/Satricon/Some Texts From A ... - (Remix)
    11. Sanctus
    12. Chrysanthemum Haradjani/Girl
    13. Darba del Hameni/Ground
    14. Is It Now?
    15. Bitchley's Kow Korn/In Principio/Easter Nocturnal Liturgy
    16. Fuse/The Five Steps
    17. Atavistic Endeavor/Control Phantom/Lux Automobile - (Krokodil Rock Mix)
    18. Afterimage/Une Aventure Extraordinaire Arrive A Vladimir ...
    19. D'Un Cahier d'Esquisses
    20. Mmoires d'Un Surfeur au Bord du Dsert
    21. Bad Day for Wasps
    22. Dada Cat
    23. Indigo
    24. Suite, No. 11/Nothing
    25. Brin/Dislocation
    26. One Night @ the 1001/Map of Dusk
    27. With the Flow Against the Current/Jellaba Titara/Pont Mirabeau
    28. Again and Again
    29. Machine Chop/Triadic Memories/Tricyrtis Latifalia
    30. Subnubus
    31. Konstantin Raudive - (Remix)
    32. Morning High
    33. Last Reading, The
  • Additional Info
    Manufacturer Part Number (MPN): 201

  • Credits

    Personnel: Brion Gysin (violin).
    Audio Mixer: DJ Spooky.
    Liner Note Author: DJ Spooky.
    Recording information: Mindswerve Studios, New York, NY.
    The Belgian label Sub Rosa invited DJ Spooky "That Subliminal Kid" to remix its whole catalog. Yes, it has been done before, but there are two main factors of interest in this particular project. First of all, DJ Spooky is an unusual DJ, to say the least: he's highly imaginative and willing to push boundaries without going to the extent of disfiguring his source materials. Second of all, Sub Rosa's catalog encompasses a smorgasbord of audio art. And DJ Spooky has tapped into the richness of Sub Rosa's "audio archive" (dixit the album's subtitle) to produce a hard-hitting, 79-minute mix. The mix rarely stays in place, constantly moving from one spot to another. Spooky generally builds the music over three layers. First is a groove derived from ethnic percussion (Trilok Gurtu and Bill Laswell, among others) or beat-driven electro or DJ'ing (DJ Wally, DJ Grazzhoppa, Yoshihiro Hanno, David Shea, etc.). The second layer is provided by experimental electro or sound artists (Scanner, Oval, Merzbow, Carl Michael von Hausswolff, etc.). The third layer sees the highly-schooled DJ Spooky dive into Sub Rosa's generous series of aural documents of modern geniuses. And so the voices of James Joyce, William S. Burroughs, ee cummings, Brion Gysin, Antonin Artaud, Tristan Tzara, and other Gilles Deleuze's pop up everywhere, creating a meta-discourse, offering anachronical comments on the music while they themselves become part of the music. "Welcome to Rhythm Science. It's an exercise in pan-humanism," states Spooky in his lengthy liner notes. This pan-humanism plays on the blurred boundaries between high art and low art: the philosophical and literary aspects of the spoken words, the sonic research of experimentalists, and the groove, constantly and seductively present throughout the album. ~ Franois Couture

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