CD Chris Thompson (CD 6991931),
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Chris Thompson


  • 0. DISC 1:
    1. Hugo Spellman
    2. Song of Wandering Aengus, The
    3. De Debil Take De Blue-Tail Fly!
    4. River Song, The
    5. London Blues
    6. Her Hair Was Long
    7. Young Lust
    8. Love
    9. River Song [Alt. Take 1], The - (alternate take)
    10. River Song [Alt. Take 2], The - (alternate take)
    11. Love [Alt. Take] - (alternate take)
    12. Dream
    13. Don't Be Afraid
    14. Back in the City - (alternate take)
    15. Hamilton
    16. Vox Populi
    17. Heart Attack Blues
    18. Barcelona
    19. Sunday Lunch
    20. Terror of the Spanish Main, The
    21. When I Am Dead
    22. Chop Suey Blues (The Opium Song)
    23. Little Ballerina
    24. We Need Oil
    0. DISC 2:
    1. As I Walked Out
    2. Where Is My Wild Rose?
    3. Hamilton
    4. Vox Populi
    5. Heart Attack Blues
    6. Barcelona
    7. Sunday Lunch
    8. Terror of the Spanish Main, The
    9. When I Am Dead
    10. Chop Suey Blues (The Opium Song)
    11. Little Ballerina
    12. We Need Oil
    13. [Untitled]
    Read More...
  • Additional Info
    Manufacturer Part Number (MPN): SBR2CD5078

  • Credits
    Producer
    Engineer

    Personnel: Chris Thompson (vocals, guitar).
    Photographer: Monique Brassier.
    The tiny British label Village Thing put out some of the finest U.K. folk releases of the early `70s, with a roster including Wizz Jones, Steve Tilston, and Ian A. Anderson (not to be confused with the Jethro Tull frontman). But even for Village Thing, whose initial runs were only a couple of thousand copies per album, Chris Thompson's debut album was a little-seen obscurity. It's been estimated that only about 1,000 copies of the 1973 recording were made, and that all but 100 were destroyed as part of some kind of tax scam. This was unfortunate both for Thompson, a New Zealander whose guitar talents had made him a favorite on the London folk scene, and for fans of the music. Fortunately, the album was subsequently reissued on CD on the U.S. label Scenescof, but the later repackaging on Sunbeam went a step further by pairing the original album with a whole extra disc of bonus material. Early-`70s London was not exactly lacking for phenomenal folk guitarists, but even amid the likes of Bert Jansch, Nick Drake, et al, Thompson must have stood out. His fretboard expertise is the most immediately striking aspect of the album: his fingerpicking technique rivals that of anyone on the scene at the time, and on stand-out tracks like "Her Hair Was Long" (which was wisely repurposed a couple of years later on Thompson's major-label debut), the New Zealander achieves an intensity of tone that only an artist like Jansch could match. Thompson is sometimes tossed under the psych-folk umbrella, and the striking opening cut, the instrumental "Hugo Spellman," certainly falls into that category, taking on a raga feel with help from members of Magic Carpet on Indian instruments. But for the most part, this is a relatively straightforward outing typical of the Village Thing catalog, incorporating some traditional blues and folk influences but mostly striking a distinctly `70s singer/songwriter tone. And despite the focus on Thompson's fleet-fingered instrumental capabilities, he comes off as a skilled songwriter as well, with more lyrically oriented tunes like "Don't Be Afraid" and "Dream" comparing favorably with the work of any of his aforementioned peers. ~ J. Allen

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