CD Classic Mountain Songs (CD 599527),
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Classic Mountain Songs

  • 1. Omie Wise - Doug Wallin
    2. Sugar Baby - Dock Boggs
    3. I Am a Poor Pilgrim of Sorrow - Old Regular Baptist
    4. Sixteen Tons - Danny Davis
    5. John Henry - Lesley Riddle
    6. Lost Indian - Marion Sumner
    7. Southbound - Doc Watson/Merle Watson/Doc & Merle Watson
    8. High on a Mountain - Ola Belle Reed
    9. Coal Creek March - Pete Steele
    10. Coal Miner Blues - Hazel Dickens/Alice Gerrard
    11. Railroad Blues - Sam McGee
    12. Cuckoo Bird - Clarence Ashley
    13. Conversation With Death - Berzilla Wallin
    14. Lone Prairie - Wade Ward
    15. Rain and Snow - Dillard Chandler
    16. Mole in the Ground - Bascom Lamar Lunsford
    17. Moonshiner - Roscoe Holcomb
    18. Wildwood Flower - Kilby Snow
    19. Barbry Ellen - Jean Ritchie
    20. Daniel Prayed - Fred Price/Merle Watson/Clint Howard/Watson, Price & Howard
    21. Wreck of the Number Nine - Pop Stoneman
    22. Red Jacket Mine Explosion - The Phipps Family
    23. Kingdom Come - Norman Edmonds
    24. Amazing Grace - Horton Barker
  • Additional Info
    Manufacturer Part Number (MPN): 40094

  • Credits
    ProducerJeff Place (Compilation)
    EngineerJohn Cohen; Ralph Rinzler

    Includes liner notes by Jeff Place.
    All tracks have been digitally remastered.
    Personnel: Doc Watson, Kathleen Phipps, Lesley Riddle, Alice Gerrard, Sam McGee (vocals, guitar); Clarence Ashley, Dock Boggs, Ola Belle Reed, Bascom Lamar Lunsford (vocals, banjo); Pop Stoneman (vocals, autoharp, harmonica); Dillard Chandler, Fred Price, Hazel Dickens, Horton Barker, Jean Ritchie, Roscoe Holcomb, Berzilla Wallin, Clint Howard (vocals); Bud Reed, Kevin Roth, Mike Seeger (guitar); Lamar Grier, Pete Steele (banjo); Kilby Snow (autoharp); David Grisman (mandolin); Doug Wallin, Marion Sumner, Norman Edmonds, Wade Ward, Billy Baker (fiddle).
    Recording information: Ash Grove Club, Los Angeles, CA (08/1957-03/1976).
    Editor: Jacob Love.
    Photographers: Ben Shahn; Arthur Rothstein.
    Arranger: Doug Wallin.
    From the time of its inception in the middle of the 20th century, the Folkways label recorded plenty of traditional folk music from the Southern Appalachians. This well-chosen collection, oriented mostly though not totally toward tracks with vocals, has a couple of dozen examples from the Folkways catalog. Though it's not always totally clear when the songs were recorded (as opposed to issued), it's for certain that they were laid down between the mid-'50s and mid-'90s, with the bulk of them cut during the 1960s. While some might carp that pre-mid-'50s performances aren't represented, this does ensure a fairly high level of fidelity throughout, in versions that are faithful to how these songs have usually sounded over the past few decades and centuries. Appalachian music is usually characterized as music with high lonesome vocals with guitar and banjo accompaniment, and while many of the tracks here conform to that format, there are also a good number of a cappella vocals, as well as numbers in which the fiddle and autoharp play prominent parts. There are some fairly big folk names here, like the duos of Doc & Merle Watson and Hazel Dickens & Alice Gerrard; Clarence Ashley, who performs one of the most frequently sung and anthologized mountain songs, "Cuckoo Bird"; Roscoe Holcomb, who does an a cappella "Moonshiner"; dulcimer virtuoso Jean Ritchie; Bascom Lamar Lunsford, who does "Mole in the Ground"; Dock Boggs; and Pop Stoneman, patriarch of the Stoneman Family. Still, there are a lot of artists who aren't known to a more general audience, and they're responsible for some of the better performances, like the Phipps Family's Carter Family-like "The Red Jacket Mine Explosion," Berzilla Wallin's a cappella "Conversation With Death" (a song more often titled "Oh Death" in other versions), and Ola Belle Reed's "High on a Mountain." A few of these songs have made deep inroads into the consciousness of American popular music, like "Amazing Grace," "Barbara Allen" (titled "Barbry Ellen" in Jean Ritchie's rendition on this disc), "John Henry," and "Sixteen Tons," a massive mid-'50s hit for Tennessee Ernie Ford, but here done by George Davis, who says he wrote a song ("Nine to Ten Tons") that Merle Travis adapted as "Sixteen Tons." ~ Richie Unterberger

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