CD Gzalo!: Bugal Tropical, Vol. 4 [Digipak] (CD 7022999),
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Gzalo!: Bugal Tropical, Vol. 4 [Digipak]


  • 1. Saludo Maracaibo - Pedro Miguel Y Sus Maracaibos
    2. Boogaloo en Ambiente - Alfredo Linares
    3. Yo Combo de Pepe - El Combo De Pepe/Yo Traigo Boogaloo
    4. Cumbayea - Mario Allison
    5. Psicosis - La Sonora De Lucho Macedo
    6. Diablo, El - Compay Quinto
    7. Yo No Pido Nada
    8. Guarachera, La - Nico Estrada y Su Sonora
    9. Guajireate - Coco Lagos Y Sus Orates
    10. Pa Gozar Candela - Betico Salas y Su Sonora
    11. Boogaloo Boogaloo
    12. Descarga Maracaibo - Pedro Miguel Y Sus Maracaibos
    13. Guayaba - Popi Y Sus Piraas
    14. Peruvian Guajira - Karamanduka/Melcochita
    15. Kintos Instrumental - Los Kintos
    16. Boogaloo en Espaa - Lucho Macedo/La Sonora De Lucho Macedo
    17. Yenyere Cuma - Pedro Miguel Y Sus Maracaibos
    18. Pollo Atrasado - Chivirico Davila/Sonora Mag
    19. Busco una Chiquita - Coco Lagos Y Sus Orates
    20. Caliente - Mario Allison/Sus Estrellas
    21. Charanga del Espacio, La - Carlos Pickling Y Orquesta
    22. Por Tu Amor - Willy Marambio
    23. Canta, Canta - Los Hiltons
    24. Descarga - Alfredo Linares
    25. Carbonero, El - Compay Quinto
    26. Aguanile - Los Girasoles
    27. Malambo - Los Diablos Rojos
    28. Mambo Ravel - Andrs De Colbert
    Read More...
  • Additional Info
    Manufacturer Part Number (MPN): 127

  • Credits
    Producer
    Engineer

    Liner Note Authors: Carlos Torres Rotondo; Carlos Torres.
    Tropical forms ranging from son to mambo may not have sprung up natively in land-bound, mountainous Peru, but when they arrived, they were embraced just as fervently as in Cuba or Mexico or Colombia, by just as talented a group of performers. And by the time the '60s arrived, Peruvian artists were on their way to the groovy, streetwise boogaloo form at roughly the same time as Spanish Harlem. This fourth volume in Vampi Soul's survey focuses like a laser on the late '60s, but there's enough good music to justify it. Taken as a whole, these tracks display Peruvian artists as frenetic as earlier mambo orchestras, and less grooving than the majority of Cuban, Puerto Rican, or American groups were taking the boogaloo forms. And thrown into the mix are plenty of descargas, charangas, and mambos. Although the Peruvian scene was its own animal, it's clear they were listening closely to the sounds of Pan-America: covers of both Willie Coln's "Aguanile" and the Chivirico Davila standard "La Guarachera" are heard. ~ John Bush

  • Critic Reviews
    Mojo (Publisher) (p.104) - 4 stars out of 5 -- "[B]oogaloo is up there with ska when it comes to a groove that's impossible to resist....Marvellous, certainly."
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