CD Kamahiwa: The Keali'i Reichel Collection (CD 988911),
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Kamahiwa: The Keali'i Reichel Collection


  • 0. DISC 1: MELE:
    1. Maunaleo
    2. Hanohano Ka Lei Pikake
    3. Lei Hali'a
    4. Ipo Lei Momi
    5. Ka Nohana Pili Kai
    6. He Lei No Kamaile
    7. Hanohano 'O Maui
    8. Mele a Ka Pu'uwai
    9. Ku'u Pua Mae 'Ole
    10. Toad Song
    11. Kawaipunahele
    12. Kaiona
    13. Road That Never Ends, The
    0. DISC 2: OLI:
    1. Mele Inoa No Kawaipunaheleopaliku
    2. Maika'i Ka 'Oiwi O Ka'ala
    3. 'Audea Wale Ana 'Oe
    4. Ka 'Opihi O Kanapou
    5. No Ka Moku Kia Kahi Ke Aloha
    6. Pule Ha'ao
    7. Ka Mo'o Ku'auhau O Kamaile Puhi Kane
    8. He Lei No Kamaile
    9. Lei Hana I Ka Makani Ualau'awa
    10. Aia I Waiehu Pua Lokelani
    11. Ho'i au E Pili Me Ka'uiki
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  • Additional Info
    Manufacturer Part Number (MPN): 010

  • Credits
    ProducerJim Linkner; Fred Krauss; Punahele Productions
    EngineerJim Linkner; Jim Linkner

    Personnel: Keali'i Reichel (vocals, 6-string guitar, background vocals); Alan Villaren (guitar, guitars); Jamie Lawrence (guitar, 12-string guitar, bass guitar, background vocals); Louis R. "Moon" Kauakahi (guitar, background vocals); Jon Yamasoto (guitar); Roland Chang (banjo); Henry Aiau Koa (ukulele); John Kolivas (strings, arco bass); Keiko S. Zou, Karen Fujimoto, Clyde Pound, Bart Bascone, Keiko S. Zou, Karen Fujimoto (strings); Moses Kane (bass guitar); Charles Timtim, Ben Taaca, Nanette Dudoit, Darren Porlas, Tanner Henderson, Vergel Jepas, Ho'okena, Clay Mortenson (background vocals); Uluwehi Guerrero, Naomi Stephens (chant, background vocals); Jake Shimabukuro, Kapono Beamer (ukulele); Claire Hazzard, Hung Wu, Judy Barrett, Maya Shiraishi (violin, strings); Mark Butin (viola, strings); Karen Bechtel (cello, strings); Anna Womack (strings); Lopaka Colon (percussion); Lance Winston (background vocals); Puakea Nogelmeier.
    Liner Note Authors: Puakea Nogelmeier; Fred Krauss.
    Editor: Puakea Nogelmeier.
    Keali'i Reichel has succeeded in Hawaiian music by, in a sense, being all things to all people. With his long hair and bare-chested appearance, he seems the epitome of a traditional artist, and he sometimes performs chanted traditional music over drums (in some cases actual ancient songs; in others, original compositions). But he also mixes in songs with a more contemporary sound in a gentle folk-pop mode and even includes covers of Western contemporaries like Sting on his albums. On this compilation drawn from his first five CDs, he includes one 50-minute disc of the folk-pop arrangements, followed by a 25-minute selection of chants. (The covers of AC pop have been left out.) Thus, he continues to have it both ways, coming off as an authentic traditional performer and as a contemporary one, although in this case, unlike his regular albums, he has largely separated the two styles onto different discs. Throughout, the appeal of this warm tenor makes the material meaningful even to those not familiar with the Hawaiian language employed for most of the running time. ~ William Ruhlmann

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