CD A Buck Clayton Jam Session 1975 (CD 580834),
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A Buck Clayton Jam Session 1975


  • 1. Sidekick
    2. Change for a Buck
    3. Duke We Knew, The
    4. Glassboro Blues
    5. Glassboro Blues Rehearsal - (previously unreleased)
    6. Duke We Knew Rehearsal, The - (previously unreleased)
    Read More...
  • Additional Info
    Manufacturer Part Number (MPN): 143

  • Credits
    ProducerHank O'Neal
    EngineerFred Miller

    Personnel: Buck Clayton (conductor, trumpet); Earle Warren, Lee Konitz (alto saxophone); Budd Johnson, Buddy Tate, Sal Nistico (tenor saxophone); Joe Newman, Money Johnson (trumpet); Vic Dickenson, George Masso (trombone); Tommy Flanagan (piano); Milt Hinton (bass); Mel Lewis (drums).
    Recorded at WARP Studios, New York, New York on June 6, 1975. Includes liner notes by Hank O'Neal.
    Digitally remastered by Jon Bates (Downtown Sound).
    Personnel: Buck Clayton (trumpet); Earle Warren, Lee Konitz (alto saxophone); Sal Nistico, Budd Johnson, Buddy Tate (tenor saxophone); Money Johnson, Joe Newman (trumpet); George Masso, Vic Dickenson (trombone); Tommy Flanagan (piano); Mel Lewis (drums).
    Recording information: Warp Studios, New York, NY (06/06/1975).
    Editor: Jon Bates.
    Photographer: Rollo Phlecks.
    Arranger: Buck Clayton.
    Jazz suffered a major loss when, in the late 1960s, Buck Clayton had to retire from playing due to problems with his lip. But instead of permanently retiring from jazz altogether, he continued to make his mark as an arranger, bandleader, and educator. Clayton doesn't play at all on A Buck Clayton Jam Session: 1975; instead, this blowing date finds him overseeing and directing a 12-piece band that includes Joe Newman and Money Johnson on trumpet, Vic Dickenson and George Masso on trombone, Buddy Tate, Buddy Johnson, and Sal Nistico on tenor sax, Lee Konitz and Earle Warren on alto sax, Tommy Flanagan on piano, Milt Hinton on bass, and Mel Lewis on drums. To be sure, that's a variety of musicians -- some have strong swing credentials, others were primarily hard boppers, and you even have a musician who came out of the Cool School (Konitz) and went on to explore post-bop. But they manage to find common ground on this swing-oriented jam, which concentrates on Clayton's own compositions and emphasizes blowing, blowing, and more blowing. Thankfully, the liner notes list the order of the solos. Originally a vinyl LP in the '70s and reissued on CD in 1995 (when Chiaroscuro added two previously unreleased bonus tracks), A Buck Clayton Jam Session is less than essential but is an enjoyable jam that die-hard swing fans will appreciate. ~ Alex Henderson

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