CD Witchcraft [John Abercrombie] [CD] [1 disc] (CD 355854),
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Witchcraft [John Abercrombie] [CD] [1 disc]


  • 1. Ev'rything I Love
    2. Somethime Ago
    3. Witchcraft
    4. My Foolish Heart
    5. Fall Colours
    6. I'm Getting Sentimental over You
    7. Peace
    8. You'd Be So Nice to Come Home To
    9. You Don't Know What Love Is
    Read More...
  • Additional Info
    Manufacturer Part Number (MPN): 16

  • Credits
    ProducerDonald Thompson; John Abercrombie
    EngineerDonald Thompson

    Personnel: John Abercrombie (guitar); Don Thompson (piano, bass).
    Recorded at Puget Sound, Toronto, Canada on June 24-25, 1986.
    Personnel: Don Thompson (piano); John Abercrombie (guitar).
    Recording information: Puget Sound, Toronto, Canada (06/24/1986-06/25/1986).
    Photographer: Joji Sawa.
    For followers who bemoan guitarist John Abercrombie's tendency to record rather adventurous albums with an often electronically treated tone, Witchcraft will be a delight. On this duo recording with bassist Don Thompson (who also plays piano on three tracks), the guitarists' sound is untreated, and the repertoire is standards. The two play well together, and there are some lovely moments on the record. The title track finds Abercrombie using the differing tonal qualities of his guitar's open strings to give the melody a unique interpretation. The sole original on the record, "Fall Colours" (credited to both writers, although the Canadian spelling may reveal the true author), is based on the standard "Autumn Leaves." Abercrombie sounds fine here, if at times pretty rather than substantial. He prefers to play in long single-note lines, rather than taking the more chordal approach many guitarists attempt in such a stripped-down setting. Thompson is a highly interactive bass player with enviable technique, allowing him to play melodic, fluid solos throughout. There seem to be several sound problems on Witchcraft; the recording level is very low, and a rattling sound often accompanies the musicians' louder notes, which grows to be quite distracting on repeated listenings. ~ Dan Cross

  • Critic Reviews
    Rolling Stone (6/29/95, p.44) - "...on WITCHCRAFT, he reaches a lyrical peak....Recorded in 1986, it's a duet recording with bassist and pianist Don Thompson, who proves to be a sensitive and soulful mate on both instruments..."
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