CD Dot Rock 'N' Roll (CD 116951),
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Dot Rock 'N' Roll


  • 1. Fool, The - Sanford Clark
    2. Chicken Shack - Leroy Van Dyke
    3. Step It Up and Go - Mac Wiseman
    4. You're Late Miss Kate - Jimmy Dee
    5. Transfusion - Nervous Norvus
    6. It Ain't Me - Ray Campi
    7. Playboy - Bob Denton
    8. Ballroom Baby - Dick Lory
    9. I Like This Kind of Music - Jimmy Ringo
    10. Pucker Paint - Danny Wolfe
    11. Big Door - Gene Brown
    12. Trapped Love - Keith Courvale
    13. Johnny, Johnny, Johnny - Kay Cee Jones
    14. You Can't Stop Me from Dreaming - Robin Luke
    15. It's All Over - Niki Sullivan
    16. Oh My Baby's Gone - Ray Sharpe
    17. Let's Flat Git It - Danny Wolfe
    18. Stop! Let Me off the Bus - Snooky Lanson
    19. Oh Yeah - Tommy Danton
    20. Baby You've Had It - Joyce Paul
    21. Skinnie Minnie - Bob Denton
    22. Call Me Shorty - Mickey Gilley
    23. That's the Way I Feel - Ray Sharpe
    24. Carry On - Jimmy C. Newman
    25. Jitterbuggin' - The Five Bops
    26. Modern Romance - Sanford Clark
    27. You Heard Me Knocking - Billy Adams
    28. Henrietta - Jimmy Dee
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  • Additional Info
    Manufacturer Part Number (MPN): 592

  • Credits
    Producer
    Engineer

    Photographer: Rob Finnis.
    The Dot label recorded all kinds of pop in the 1950s; this 28-track compilation focuses on their hardest rocking sides, most of which are rockabilly or rockabilly-related. Dot didn't really have a "house" sound, and what you get here is a trail mix of obscure '50s, mostly White rock & roll, with only a couple of big hits (Sanford Clark's "The Fool" and Nervous Norvus' insane novelty, "Transfusion"). A number of these rarities will have considerable appeal to collectors, like the non-hits by one-hit wonders Robin Luke and Ray Sharpe; the raunchy White Little Richard sounds of Jimmie Dee's "Henrietta" (which was a small hit); a single by Ray Campi (who really didn't become well-known until he became a rockabilly revival artist decades later); a solo outing by ex-Cricket Niki Sullivan; a 1958 Jerry Lee Lewis-clone number by future country star Mickey Gilley; and a rockabilly cut by Mac Wiseman of the Foggy Mountain Boys. It's solid fodder for the most part, though rather middle-of-the-pack as far as vintage rockabilly goes. ~ Richie Unterberger

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