CD Smiley Lewis Rocks [Digipak] * [4000127166760] (CD 6270120),
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Smiley Lewis Rocks [Digipak] * [4000127166760]


  • 1. Shame, Shame, Shame
    2. Big Mamou
    3. Ain't Gonna Do It
    4. Down the Road
    5. Bells Are Ringing, The
    6. Can't Stop Loving You
    7. Ooh La La
    8. My Baby Was Right
    9. Blue Monday
    10. Dirty People
    11. Jailbird
    12. Where Were You
    13. Real Gone Lover
    14. Bumpity Bump
    15. I Hear You Knocking
    16. Sad Life
    17. Come On
    18. Bee's Boogie
    19. Queen of Hearts
    20. Lillie Mae
    21. One Night
    22. Caldonia's Party
    23. Nothing But the Blues
    24. She's Got Me Hook, Line & Sinker
    25. Rootin' and Tootin'
    26. Please Listen To Me
    27. Down Yonder We Go Ballin'
    28. No Letter Today
    29. Mama Don't Like
    30. Play Girl
    31. Go On Fool
    32. Goin' To Jump and Shout
    33. Bad Luck Blues
    34. School Days Are Back Again
    35. Lil Liza Jane
    36. Shame, Shame, Shame!
    Read More...
  • Additional Info
    Manufacturer Part Number (MPN): 16676

  • Credits
    ProducerDave Bartholomew; Bill Millar (Reissue)
    Engineer

    Liner Note Author: Bill Dahl.
    Illustrators: Rick Coleman; R.A. Andreas; Sven T. Uhrmann; Dave Booth; Jeff Hannusch; Victor Pearlin.
    Photographers: Rick Coleman; R.A. Andreas; Sven T. Uhrmann; Dave Booth; Jeff Hannusch; Victor Pearlin.
    There have been a number of Smiley Lewis compilations over the years, including some fine ones: the signature EMI release of The Best of Smiley Lewis, the Proper Introduction to Smiley Lewis, the two-volume Smiley Lewis Story, and Bear Family's definitive four-disc box set Shame, Shame, Shame, that collected every side he ever cut. That said, other than their original box set, none of them comes close to Bear Family's single-disc Smiley Lewis Rocks comp. Rather than merely present 36 chronologically recorded sides for Colony and Imperial from 1950-1958, it contextualizes them. Though Lewis began recording in 1947, his biggest years were the '50s, those in which he recorded his regionally popular "I Hear You Knocking" and "One Night" (whose later sanitized and vastly inferior versions were recorded by Gale Storm and Elvis Presley, respectively, with greater success -- yes, you read right, Presley's version of "One Night" utterly pales in comparison with the Lewis' original. Of the rest, "Shame, Shame, Shame" and "Bumpity Bump" are here, as well as versions of "Blue Monday," "Rootin' and Tootin," "Lillie Mae," and many other New Orleans standards. Yet, it's not simply track selection that makes this set so righteous: it's the sound of Cosimo Matassa's New Orleans studio at work with the musicians that played on these sides that made them so unique: drummer Earl Palmer, saxophonists Lee Allen and Herbert Hardesty, and trumpeter and bandleader Dave Bartholomew -- who wrote or co-wrote the majority of these tunes. The players' spontaneity to capture on tape whatever was happening is apparent on this set. At the heart of it there's Lewis' voice, an enormous and expressive instrument capable of transferring so much to the listener: from raucous joy and wildness to tenderness and heartbreak, seemingly without effort. His guitar playing exemplifies the Crescent City sound, full of rhythmic invention and tough, R&B groove. The liner notes by Bill Dahl are peerless for their historical authority. The digitally remastered sound is better than any previous collection on the market; it's full, warm, and immediate. For anyone interested in rock & roll's real roots, New Orleans music, or jump blues and classic R&B, Smiley Lewis Rocks is indispensable. ~ Thom Jurek

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