CD Sugar Doll (CD 1206912),
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Sugar Doll


  • 1. Do I Do Right
    2. "USA", The
    3. Mind Your Own Business - Evelyn White
    4. I Got the Hurt
    5. Rockin' in the Nursery
    6. Rockin' and Washing Sue
    7. Please Don't Call Me Lonesome - Cheri Robbins
    8. Boy Watcher - Pat Parker
    9. Let's Have a Party
    10. I Wanta Be Free - Evelyn Harlene
    11. You Can't Get Away from Me - Nona Rae & B. Collins Band
    12. Scrapbook Twist
    13. Ring a Ding Dong Dandy
    14. Sugar Plum - Beverly Bea
    15. Glue Me Back, Jack
    16. He's Coming Back - Carole Bennett/Satisfiers
    17. Twisteree
    18. Bye-Bye Baby
    19. Mama's Alibi
    20. Needle in a Haystack
    21. Baby Oh Baby
    22. Old Moon - Betty Foley
    23. Do Dee Oodle Dee Do I'm in Love
    24. Full Time Lover
    25. Devil Doll
    26. Come on and Dance - Maureen Gray
    27. What Would Johnny Say
    28. I've Told Every Little Star - Linda Scott
    29. Real Kool Kitty - Nona Rae & B. Collins Band
    30. Big Fat Mama
    Read More...
  • Additional Info
    Manufacturer Part Number (MPN): 55173

  • Credits
    Producer
    Engineer

    Performers include: Lou & Ginny, Pat Molittieri, Dianne Holtz, Sally Starr, Sharon Lee, Cheri Robbins, Pat Parker, Nona Rae, Judy Jae, Beverly Bea, Nancy Dawn, Dorothy Minor, Penny West, Joyce Allen, Betty Foley, Norma & Linda, Maureen Gray, Linda Scott and more.
    Despite the great work of many excellent reissue labels, there remain hundreds of sides from the rock & roll era that are unheard outside of a small coterie. The German Buffalo Bop label isn't the heaviest hitter, but it knows its way around an appealing thematic compilation, and Sugar Doll unearths no less than 30 interesting sides from female rocksters and popsters. This is seriously obscure music, the area where chart positions are virtually nonexistent and knowledge of the songs known only to those who collect 45s. (For a good gauge, consider that the most famous name here is Linda Scott, who barely cracked the Top 40.) As could be expected from the obscurity of the material, these are not well-recorded songs, and the arrangements are rudimentary, even compared to the standards of the time. (Plenty of the songs are light novelty fare, and listeners will know the drill as soon as they hear titles like "Rockin' in the Nursery" and "Ring a Ding Dong Dandy.") Still, the singers are sincere, and the songs chart an interesting variety from Brill Building pop to sock-hop rock & roll to country crossover. For that certain segment of music fandom interested in historical patterns, second-rank material like this is just as interesting as (and occasionally more revealing than) songs by Connie Francis or Wanda Jackson. ~ John Bush

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