CD FilmWorks II: Music for an Untitled Film by Walter Hill (CD 985465),
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FilmWorks II: Music for an Untitled Film by Walter Hill


  • 1. Intro
    2. I Stole From Jesus Christ
    3. Gold
    4. Main Title
    5. Building, The
    6. Meatlocker
    7. Pigeons
    8. Scuffle
    9. Exploring
    10. Rattlesnakes For Sergio Leone
    11. Two Interiors
    12. Stealth
    13. Action
    14. Dumping the Body
    15. Trunk, The
    16. Escape Attempt
    17. Arrival
    18. Prying at the Windows
    19. Arsenal
    20. King James
    21. Powerline
    22. Magic of Gold, The
    23. Chimney
    24. Dilemma
    25. Conspiracy
    26. Plot Part 1, The
    27. Plot Part 2, The
    28. Heroin Fix
    29. Lucky Run
    30. Vengence Is Mine
    31. Escape
    32. Kill Fever
    33. Outside
    34. Ending
    35. Alternate Ending / End Title
    36. Arsenal Dance Mix
    Read More...
  • Additional Info
    Manufacturer Part Number (MPN): 7306

  • Credits
    ProducerJohn Zorn
    EngineerAlec Head

    Personnel: John Zorn (saxophone); Andy Haas (didjeridu); Carol Emanuel (harp); Anthony Coleman (piano, keyboards); Jason Baker (Synclavier synthesizer); Marc Ribot (guitar, banjo); Cyro Baptista, Jim Pugliese (percussion); David Shea (DJ, samples).
    Recorded in May & June 1992.
    John Zorn is quite a character-a saxophonist; a bandleader and composer; a player of hardcore thrash, bop, free jazz, film music, klezmer, and avant skronk; a musical anarchist; and a participant in a thousand different groups and projects. This disc, subtitled "Music For An Untitled Film By Walter Hill," is one in a series of Zorn's film music releases on his outstanding Tzadik label. As usual with Zorn, one can expect the unexpected on this outing. Though there are 36 listed tracks, it becomes quite difficult to distinguish one from the other as the listener is sucked into the darkly ambient world generated by Zorn's seven-piece ensemble.
    There are no splatter-core assault dynamics or saxophone duck calls here, just a continually metamorphosing soundscape that seduces the listener into a thickly textured, deeply unsettled state. The instrumentation includes Brazilian percussion, didjeridu, banjo, turntables, and samples, and Anthony Coleman and Marc Ribot are among the musicians. The notable absence is Zorn himself, who composes and produces but does not play. FILMWORKS II once again proves Zorn's genius as an architect of the unexpected.

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