CD The Austin Sessions (CD 411556),
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The Austin Sessions

  • 1. Me and Bobby McGee - (featuring Jackson Browne)
    2. Sunday Morning Coming Down - (featuring Steve Earle)
    3. For the Good Times - (featuring Matraca Berg)
    4. Silver-Tongued Devil and I, The
    5. Help Me Make It Through the Night - (featuring Vince Gill)
    6. Loving Her Was Easier (Than Anything I'll Ever Do Again) - (featuring Marc Cohn)
    7. To Beat the Devil
    8. Who's to Bless and Who's to Blame
    9. Why Me? - (featuring Vince Gill/Alison Krauss)
    10. Nobody Wins - (featuring Catie Curtis)
    11. Pilgrim: Chapter 33, The
    12. Please Don't Tell Me How This Story Ends - (featuring Mark Knopfler)
  • Additional Info
    Manufacturer Part Number (MPN): 83208

  • Credits
    ProducerFred Molin
    EngineerMark Linett

    Personnel: Kris Kristofferson (vocals, acoustic guitar, harmonica); John Willis (acoustic, electric, slide & nylon string guitar, dobro, mandolin); Stephen Bruton (acoustic, electric & high string guitar, mandolin); Fred Mollin (12-string guitar, percussion); Mark Knopfler (electric guitar, background vocals); Paul Franklin (steel guitar); Jim Cox (accordion, piano, organ); Joe Spivey (fiddle); Larry Paxton (acoustic & electric bass); Mike Baird (drums); Steve Earle, Jackson Browne, Catie Curtis, Matraca Berg, Vince Gill, Alison Krauss, Mark Cohn (background vocals).
    Recorded at Arlyn Studis, Austin, Texas. Includes liner notes by Kris Kristofferson.
    For the follow-up to Moment of Forever, his first set of new original songs in years, Kris Kristofferson decided to record a set of stripped-down new versions of his classic songs. This project, released on Atlantic Records and entitled The Austin Sessions, was a star-studded affair, featuring harmony vocals from Jackson Browne, Steve Earle, Matraca Berg, Vince Gill, Marc Cohn, Alison Krauss, Catie Curtis, and Mark Knopfler. In one sense, it's easy to question why Kristofferson needed to record these songs again, since much of his catalog seems to consist of reinterpretations of these songs, but taken on its own terms, it's a good listen. In a way, Kristofferson's voice -- which never had too much range, even at its peak -- sounds better now that its older; the ragged edges and wear give it more character, which lend character to the songs. Ultimately, The Austin Sessions isn't a major addition to his catalog, but there's enough warmth and personality to these recordings to make it worth a listen for longtime fans. ~ Stephen Thomas Erlewine

  • Critic Reviews
    Mojo (Publisher) (1/00, p.98) - "...these profound, masterful songs of loss and loneliness are given a worthy going over by their creator."
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