CD The Cheerful Insanity of Giles, Giles & Fripp (CD 1266382),
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The Cheerful Insanity of Giles, Giles & Fripp

  • 1. Saga of Rodney Toady: North Meadow, The
    2. Saga of Rodney Toady: Newly-Weds, The
    3. Saga of Rodney Toady: One in a Million, The
    4. Saga of Rodney Toady: Call Tomorrow, The
    5. Saga of Rodney Toady: Digging My Lawn, The
    6. Saga of Rodney Toady: Little Children, The
    7. Saga of Rodney Toady: The Crukster, The
    8. Saga of Rodney Toady: Thursday Morning, The
    9. Just George: How Do They Known
    10. Just George: Elephant Song
    11. Just George: The Sun Is Shinging
    12. Just George: Suite No. 1
    13. Just George: Erudite Eyes
    14. She Is Loaded
    15. Thursday Morning
    16. Under the Sky
    17. One in a Million
    18. Newly-Weds
    19. Thursday Morning
  • Additional Info
    Manufacturer Part Number (MPN): 2049

  • Credits

    Giles, Giles & Fripp: Robert Fripp (guitar), Peter Giles (bass), Mike Giles (drums).
    Giles, Giles & Fripp: Mike Giles, Robert Fripp.
    This pre-King Crimson aggregate involves the talents of Michael Giles (drums/vocals), Peter Giles (bass/vocals), and Robert Fripp (guitar/vocals) accompanied by a plethora of studio musicians -- most notably keyboardist Nicky Hopkins and backing vocalists the Breakaways. By any standards The Cheerful Insanity of Giles, Giles & Fripp is one of the more eclectic albums to have been issued during the psychedelic rock movement of the late '60s. The album was initially issued in September of 1968 on the Decca Records subsidiary Deram -- whose releases were aimed specifically at the alternative or progressive rock market. That said, this disc is a far cry from the type of material that other artists on the label such as the Moody Blues, Caravan, or Pacific Drift were concurrently issuing. The original record album was divided into two sections: "The Saga of Rodney Toady" and "Just George," which were named after the respective spoken word pieces that link the musical works on the A- and B-sides. Musically, Giles, Giles & Fripp are wholly unlike anything before or since. Drawing upon folk, classical, pop, and even sacred music, each track brings a fresh listening experience. Among the highlights is the leadoff track, "North Meadow," which features some stunning fretwork from Fripp. Likewise, "Call Tomorrow" is a trippy noir tale involving an ambiguous practical joke. The classically influenced instrumental "Suite No. 1," as well as another one of Fripp's more esoteric compositions, "Erudite Eyes," likewise bear some semblance of sounds to come from the trio. While not everyone's cup of tea, there is a tremendous amount to enjoy on The Cheerful Insanity of Giles, Giles & Fripp for those whose expectations are not of King Crimson, but rather of lighthearted and decidedly folksy English tales. Parties interested in this disc should likewise be advised of The Brondesbury Tapes, which is a collection of semiprofessional demos made by this trio and original Fairport Convention vocalist Judy Dyble (vocals) and soon-to-be King Crimson member Ian McDonald (flute/sax). ~ Lindsay Planer

  • Critic Reviews
    Uncut (p.109) - 3 stars out of 5 - "[E]xposure to his bizarre concoction of unsettling silliness and eccentric charm is like chancing upon a great lost '60s TV show."
    Mojo (Publisher) (p.122) - 3 stars out of 5 - "The playing is excellent throughout, with Fripp showcasing his formidable chops on 'Suite No. 1'."
    Record Collector (magazine) (pp.86-87) - 5 stars out of 5 -- "With massed horns and an almost reggae lilt 'Elephant Song' is amazing, and 'One In A Million' even has faint Small Faces echoes."
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