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13 Items Found For afterhours

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58.32082

$11.75
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Down Beat (5/98, p.62) - 4 stars (out of 5) - "...the well-chosen tunes suggest a romanticized, after-hours setting, enhanced by the gentle clatter of glasses and plates. Barron and Haden interact as equal partners throughout..."0.3530323

$10.05
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Option (Sept.-Oct./92, p.132) - "..Hearing is believing, and this is a superb traditional post-bop disc...Thompson plays with fire and wisdom throughout.."Musician (9/92, p.108) - "..a hard bop record that sounds a lifetime or two away from what that term means...Informality is never confused with slackness...Call it the tightest after-hours session ever.."0.2941936

$10.62
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Mojo (Publisher) (p.96) - 3 stars out of 5 - "Aya's nectar-sweet voice is tantalisingly seductive throughout....Overall, an impressive showcase."0.2488325

$12.25
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Vibe (9/01, p.245) - 3.5 discs out of 5 - "...Hardcore lyrics are buoyed by producer 4th Disciple's impressively emotional soundscapes....worthy of Wu affiliation..."0.2488325

$14.47
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Rolling Stone (3/29/01, p.60) - 3.5 stars out of 5 - "...Clapton blends virtually every style he's worked in during the past 35 years....Soft soul, classic blues, gutty funk, gospel, after-hours piano and guitar excursions, lite jazz - it's all there....never dropping beneath a certain level of mastery and taste..."Q (4/01, p.98) - 3 stars out of 5 - "...Upbeat....REPTILE covers all bases....Clapton's still a dexterous guitarist..."Mojo (Publisher) (4/01, p.108) - "...The sound of rock'n'roll bridging its last generation gap?"0.2353548

$9.61
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0.2177284

$10.05
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0.2177284

$12.36
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"[A] tensely funny and alive Los Angeles night-world thriller....Cruise and Foxx are so good together because they allow the two characters to get under each other's skin." Entertainment Weekly "[A] feast for the eyes....[Mann] really uses the electronic sheen that comes with the format." Premiere "Mann hits a new peak, orchestrating action, atmosphere and bruising humor with a poet's eye for urban darkness." Rolling Stone "[T]he wrap-up is staged with craft and confidence..."USA Today "COLLATERAL has the texture and gravity of an old-school classic." Uncut "[With] complex, intriguing characters..."Chicago Sun-Times "Mann's crisp, pulp thriller sees TC as a bad cat in after-hours LA..." Total Film "[An] elegantly crafted and genuinely thrilling thriller....The crackling-smart script was written by Stuart Beattie..."Wall Street Journal0.2059355

$12.39
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Rolling Stone (2/17/00, p.58) - 4 stars out of 5 - "...[his] third and final album....accompanies himself only on acoustic guitar....His voice conveys, in its moans and breathy whispers, an alluring sensuality..."Spin (p.101) - "[H]is Keatsian mark on music is indelible."Entertainment Weekly (5/12/00, p.24) - "One voice, one guitar, one set of beautifully dolorous songs...the equivalent of an amble down a darkened country road. Modedl after-hours listening." - Rating: AQ (8/00, pp.112-3) - 5 stars out of 5 - "...Nick Drake's best album....[Its] excellence shines through....Few records have ever sounded so intimate, or embodied Melancholy with such grace and assurance..."Alternative Press (3/01, p.88) - "...With a voice paradoxically feather-light and grave, [one] of the most beautiful and melancholy albums ever recorded..."Mojo (Publisher) (p.75) - "[I]t's his most haunted, intense album, and its mere 28-minute duration feels perfectly judged."Mojo (Publisher) (7/00, p.99) - "...His masterpiece and the Robert Johnson comparisons are fully deserved..."NME (Magazine) (8/12/00, p.28) - Ranked #8 in The NME "Top 30 Heartbreak Albums" - "...Touched with luminous symbolism and uncanny intimacy, this is the sound of inescapable retreat."0.1765161

$8.58
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Q (12/92, p.117) - 3 Stars - Good - "...this record cleaves the classical lines of its predecessor, with Brown's piano a delight throughout..."Down Beat (12/92, p.38) - 4 Stars - Very Good - "...revels in the ache of [Brown's] slumbering hound voice and nimbleness of his creative fingers...utterly relaxed yet focused..."Musician (3/93, p.94) - "...So what if Bonnie Rait appears on two tracks and Elvis Costello coauthored a song? The real story is that Charles Brown remains a master of the cool afterhours blues, more than four decades after his R&B hitmaking heyday..."Living Blues (Jan/Feb 93, pp.59-60) - "...the band grooves with the authority of players who have been on the R&B scene for decades...nine, nice, long unhurried cuts that will soothe your mind and set your heart at ease..."Vox (12/92, p.94) - 8 - Excellent - "...Impressive...Brown's music insinuates itself into the listener's approval..."0.1765161

$13.82
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0.1555203

$19.37
(0 reviews)

Rolling Stone (3/23/95, p.124) - 3.5 Stars - Very Good - "...At times, everything in Morphine sounds like it's playing the rhythm--the intertwining sax and bass line, the lyrics' syllabic pop....For all their sultriness, Morphine do rock out, and like the best jazz, they swing at any tempo..."Entertainment Weekly (3/17/95, p.88) - "...it's tough to keep any sound from seeming stale, especially one as eccentric and seemingly limited as Morphine's bass, drums, and baritone sax lineup. YES generally succeeds, adding energy to the band's muscular `low rock'..." - Rating: B+Q (2/96, p.65) - Included in Q's 50 Best Albums of 1995.Q (5/95, p.109) - 4 Stars - Excellent - "...Morphine still pull off the difficult trick of sounding fresh while making you feel you've heard it all before."Alternative Press (5/95, pp.71-72) - "...Morphine have turned their aesthetic slightly askew, with some songs as heady as the concoction of a Lucky Strike snubbed into a battered ashtray smoldering into the mist of a cheap perfume. Turn up the collar on your coat and stagger away, smiling..."Melody Maker (4/22/95, p.33) - "...Morphine's after-hours world of hustlers, losers, drug addicts and wronged lovers [has a] dramatic momentum that doesn't let up until the last tale has come to its inevitably sorry end....the absence of guitar...bring[s] some authenticity to the story, the lo-fi, jazz feel of the sax blending in brilliantly with the literary ghosts evoked by the bass..."Musician (6/95, pp.73-74) - "...amplifies their trenchcoat take on rock 'n' roll, a take that has chiseled a place for itself even though it's threaded with anachronisms and prone to contradiction....bridges the emotional gap between John Lee Hooker's moaning stealth and Last Exit's frenzied abstraction..."0.1470968

$10.80
(0 reviews)

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