akim-tamiroff,Then Came Bronson, You Know What Sailors Are, Orson Welles' Don Quixote, Outpost in Morocco [1900] [Region 1], The Texas Rangers Ride Again

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35.86045

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35.79355

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35.32528

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35.32528

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35.32528

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"...[A] splendid, definitive reedit of Orson Welles' noir great....Unspools with all the complex, unnerving menace its writer-director had in mind all along..." -- Rating: AEntertainment Weekly "...Classic noir's final shout pits Orson Welles and Charlton Heston as rival investigators..."Total Film "...A masterpiece..." -- 4 out of 4 starsUSA Today "[A] masterful wallow in noir....[Welles] inhabits another outsize monster who somehow evokes the viewer's sympathy."Premiere "Orson Welles's 1958 TOUCH OF EVIL is a work of slippery precision, a picture whose seductiveness is only enhanced by its refusal to surrender fully to our grasp."New York Times "...Discover what the hullabaloo was about....Great Welles and a surprisingly good Heston..." -- 5 out of 5 stars - One for the LibraryPremiere "Welles shoots and -- to the extent that he controlled post-production -- edits the film in a fragmented manner which suggest that the line between good cop Vargas and bad cop Quinlan is particularly thin..."Sight and Sound0.3344809

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"...[A] splendid, definitive reedit of Orson Welles' noir great....Unspools with all the complex, unnerving menace its writer-director had in mind all along..." -- Rating: AEntertainment Weekly "...Classic noir's final shout pits Orson Welles and Charlton Heston as rival investigators..."Total Film "[A] masterful wallow in noir....[Welles] inhabits another outsize monster who somehow evokes the viewer's sympathy."Premiere "...A masterpiece..." -- 4 out of 4 starsUSA Today "Orson Welles's 1958 TOUCH OF EVIL is a work of slippery precision, a picture whose seductiveness is only enhanced by its refusal to surrender fully to our grasp."New York Times "...Discover what the hullabaloo was about....Great Welles and a surprisingly good Heston..." -- 5 out of 5 stars - One for the LibraryPremiere "Welles shoots and -- to the extent that he controlled post-production -- edits the film in a fragmented manner which suggest that the line between good cop Vargas and bad cop Quinlan is particularly thin..."Sight and Sound0.3344809

$21.38
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0.2675847

$22.87
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"MR. ARKADIN remains a strange, magpie movie, assembled from elements lifted from past films Welles had worked on or been near." New York Times "Orson Welles's globe-trotting 1955 thriller is one of his most peculiar, and hence representative creations..." Premiere0.2341366

$37.52
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